Found something on the Nexo site:
http://nexo-sa.com/attachments/categ...DanteSpecs.pdf
Looks good so far. Now I wait for the PLS for more information.
Found something on the Nexo site:
http://nexo-sa.com/attachments/categ...DanteSpecs.pdf
Looks good so far. Now I wait for the PLS for more information.
Christian Tepfer
christian at. amanya dot- de
http://klanggestaltung.wordpress.com
personal monitor operator, rf coordination, system design, FOH mixing.
The Yamaha CL3, apparently. Here's the high-res picture from Christian's link:
Why are companies insisting on having a mixer that's like 15" tall? That make for a ridiculously oversized case.
Looks like M7-style channel controls, possibly 9 layers for the fader banks. It appears to have an IPad area. Is the thing on the bottom right side a slide out keyboard?
Yes ''TJ'' is my real name.
Last edited by Shane Presley; 03-20-2012 at 12:20 PM.
Tomorrow, per the Yamaha teaser:
New Arrivals
Yes ''TJ'' is my real name.
Any guesses as to the faders on the right... L+R would be obvious, but here's hoping for say stereo faders fx return, switchable (1+2, 3+4) like the 01v, or hopefully completely assignable to whatever you want, and put your playback on it.
Hoping those blue displays are ala "midas / I live" and change colour.
Is that classed as a very early arrival then?
FOH/Monitors/System
www.polarisaudio.co.uk
My question: Can I use that 32x16 (& 4 AES?) digital stage box with my LS9-32?
Find us on the web at: meerkatsound.com
I'm using: RCF HD12A or JBL SRX722 over JBL SRX718s with Crown IT's and dB Technologies DVX DM12 & DM15 on monitors; all controlled by Yamaha LS9-32. I have a bunch of other stuff too.
Part 2 to that is, is it digital ONLY ( ala M7cl48 ES)? please let there be XLR connectors on the back of this new console...
not to swerve, but what are people doing about com,dmx etc. with cat 5 / digital snakes? all I can think of is you have to run a small multipair, and if you're doing that, whats the point of a digi snake ( other than leaving the audio on stage). Is that the only advantage at this point ?
like this ? - (using the digital audio pair as DMX)
any issue with a/c running with it ?
Certainly could work. My preference would be to not include power in that cable and run it separately. Theoretically a digital snake should reduce the need to have FOH on the same feed as stage power, so it might not be necessary to parallel power to the snake all the time.
Yes ''TJ'' is my real name.
Works nice.
I take one of these (Sommercable) on a lot of jobs, the only downside is that the included power (around AWG13) makes it big and heavy, compared to network or audio only. Absolutely no problems with a/c running in the cable.
For longer runs I prefer Fiberfox, then the Intercom and DMX problem comes up again. But it's phantastic to have audio plus DVI video in one fiber run of 150m and more. Or audio plus communication network.
Christian Tepfer
christian at. amanya dot- de
http://klanggestaltung.wordpress.com
personal monitor operator, rf coordination, system design, FOH mixing.
BTW - word is from my local yamaha dealer, there are 3 offerings... CL1, CL3, CL5 - he says it's to fit between the M7 and the 5D ?? I would have thought LS-9, M7CL, but we'll see what the feature set brings... I'm pumped...
Looks cool, but probably too much money for me if its supposed to be "above" M7. Less faders should equal less moneyLOL
(management here is taking the NDA very seriously - wish I knew anything!)
Last edited by Scott Helmke; 03-20-2012 at 04:06 PM.
For those of you who haven't seen it yet...Talked briefly to my Yamaha rep last week. He said he would be happy to spill all the beans Wednesday morning.
Justice C. Bigler
The taller the console, the wider the case when on its wheels, making it more stable. There's lots of mixers (mainly little ones) out there for which the case needs to be over-sized just so the damn thing won't fall over if you look at it funny. The high ass end makes the console easier to use, and gives more room for I/O, card slots, internal PSU, etc.
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