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<blockquote data-quote="Shane Presley" data-source="post: 93181" data-attributes="member: 110">Re: 19 Pin Connectors (Socapex)Agreed - I have identified my &quot;audio soca&quot; with coloured gaff that say audio soca on them, and I&#039;m not quite big enough to worry about having multiple runs end up all over a stage mis-id&#039;d , but yes in general probably not a good idea, but it works for me for now.&nbsp; Its easy to run one long 12 ga soca than 4 NL-4 runs across stage. runs tops and subs off one run. I do the same for monitors mixes... one soca, 4 mon mixes - then only short speakon to jump to each mix.I also don&#039;t employ any &quot;helpful&quot; stage hands, I have regular hires and even if they have questions they ask.As with anything proceed with caution <img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f609.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=";)" title="Wink&nbsp; &nbsp; ;)"&nbsp; data-smilie="2"data-shortname=";)" /></blockquote>

[QUOTE="Shane Presley, post: 93181, member: 110"] Re: 19 Pin Connectors (Socapex) Agreed - I have identified my "audio soca" with coloured gaff that say audio soca on them, and I'm not quite big enough to worry about having multiple runs end up all over a stage mis-id'd , but yes in general probably not a good idea, but it works for me for now. Its easy to run one long 12 ga soca than 4 NL-4 runs across stage. runs tops and subs off one run. I do the same for monitors mixes... one soca, 4 mon mixes - then only short speakon to jump to each mix. I also don't employ any "helpful" stage hands, I have regular hires and even if they have questions they ask. As with anything proceed with caution ;) [/QUOTE]

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