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<blockquote data-quote="Matthew Knischewsky" data-source="post: 124224" data-attributes="member: 1109">Re: A frustrating thing about new consoles from YamahaThe advantage is the price point. If you prefer the features of the less expensive console why wouldn&#039;t you buy it? I saved paying for a ~$10000 touch screen and a centralogic fader bank when I realized that was the only MAJOR difference (to me) between the LS9-32 and M7-32. For the market I needed it to service the LS9 worked at that time and was the right console at the right price. As was the M7 upon it&#039;s release, and having both available didn&#039;t seem to impact the use of one or the other too much. Those that needed to have a touch screen, 8 more mixes in the form of matrix sends available from the channels, DCAs, and a few other things would shell out to rent the more expensive console. I must be over the frustration... I pick the console that&#039;s appropriate to the show and move on.Matt.</blockquote>

[QUOTE="Matthew Knischewsky, post: 124224, member: 1109"] Re: A frustrating thing about new consoles from Yamaha The advantage is the price point. If you prefer the features of the less expensive console why wouldn't you buy it? I saved paying for a ~$10000 touch screen and a centralogic fader bank when I realized that was the only MAJOR difference (to me) between the LS9-32 and M7-32. For the market I needed it to service the LS9 worked at that time and was the right console at the right price. As was the M7 upon it's release, and having both available didn't seem to impact the use of one or the other too much. Those that needed to have a touch screen, 8 more mixes in the form of matrix sends available from the channels, DCAs, and a few other things would shell out to rent the more expensive console. I must be over the frustration... I pick the console that's appropriate to the show and move on. Matt. [/QUOTE]

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