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Death to... test what you think you know
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<blockquote data-quote="Jay Barracato" data-source="post: 161206" data-attributes="member: 24"><p>I did not try to measure the summed version at once, because that would have introduced a second eq unit and differences between them as well as another device to sum the signals. Also, I thought it was interesting because you can see the coherence drop off as the level passing the filter gets lower and lower.</p><p></p><p>I have to admit to using it occassionally on wedges, especially one one stage that is a corner stage that acts like a bass trap, and the only other processing on the wedges is a 12 db/oct high pass built into the eq. Like all things, it is about compromise, and I think I would argue that a 20 foot wide stage with 4 monitors going full blast has plenty of other phase problems going on as well.</p></blockquote><p></p>
[QUOTE="Jay Barracato, post: 161206, member: 24"] I did not try to measure the summed version at once, because that would have introduced a second eq unit and differences between them as well as another device to sum the signals. Also, I thought it was interesting because you can see the coherence drop off as the level passing the filter gets lower and lower. I have to admit to using it occassionally on wedges, especially one one stage that is a corner stage that acts like a bass trap, and the only other processing on the wedges is a 12 db/oct high pass built into the eq. Like all things, it is about compromise, and I think I would argue that a 20 foot wide stage with 4 monitors going full blast has plenty of other phase problems going on as well. [/QUOTE]
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