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<blockquote data-quote="Bill Schnake" data-source="post: 10997" data-attributes="member: 4128">Hi and thanks in advance for you help.&nbsp; We are currently using both Yamaha (M7CL) and Behringer X32 consoles.&nbsp; We are moving towards purchasing a Midas Pro2 and DL251.&nbsp; What I would like to know is there a better way to do my monitor console and house console hook-up.&nbsp; Let&#039;s say we are using the M7CL for monitors and the Midas Pro2 for FOH.&nbsp; My thought is to go to an analog split snake for my input patch, take the monitor split and run it to the Yamaha M7CL then run the front of house split to the DL251.&nbsp; Once I am into the DL251 I can run AES50 to FOH for 48 in and 16 out.&nbsp; This seems to be an easier way then trying to figure out a common interface between mixing formats, if that was even possible.&nbsp; So, have I missed anything and is there an easier way to get Yamaha, Behringer and Midas to all play in the same sandbox.&nbsp; Any help is appreciated.ThanksBill 8)~<img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f60e.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt="8-)" title="Cool&nbsp; &nbsp; 8-)"&nbsp; data-smilie="6"data-shortname="8-)" />~<img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f60e.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=":cool:" title="Cool&nbsp; &nbsp; :cool:"&nbsp; data-smilie="6"data-shortname=":cool:" /></blockquote>

[QUOTE="Bill Schnake, post: 10997, member: 4128"] Hi and thanks in advance for you help. We are currently using both Yamaha (M7CL) and Behringer X32 consoles. We are moving towards purchasing a Midas Pro2 and DL251. What I would like to know is there a better way to do my monitor console and house console hook-up. Let's say we are using the M7CL for monitors and the Midas Pro2 for FOH. My thought is to go to an analog split snake for my input patch, take the monitor split and run it to the Yamaha M7CL then run the front of house split to the DL251. Once I am into the DL251 I can run AES50 to FOH for 48 in and 16 out. This seems to be an easier way then trying to figure out a common interface between mixing formats, if that was even possible. So, have I missed anything and is there an easier way to get Yamaha, Behringer and Midas to all play in the same sandbox. Any help is appreciated. Thanks Bill 8)~8-)~:cool: [/QUOTE]

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