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Infocomm???
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<blockquote data-quote="Peter Morris" data-source="post: 141481" data-attributes="member: 652"><p>Re: Infocomm???</p><p></p><p></p><p></p><p><span style="font-family: 'Calibri'"><span style="color: #000000"><span style="font-size: 12px">Hi Tom,</span></span></span></p><p><span style="font-family: 'Calibri'"><span style="color: #000000"><span style="font-size: 12px"></span></span></span></p><p><span style="font-family: 'Calibri'"><span style="color: #000000"><span style="font-size: 12px">I believe I understand what you are doing with the SH10 and other designs, and as I said earlier I think it’s a great solution.</span></span></span></p><p></p><p><span style="font-family: 'Calibri'"><span style="color: #000000"><span style="font-size: 12px">My point in respect to line arrays is that they are a compromise; they designed to meet the practical demands of the customer. They are general not deployed as a line sources but more like a collection of astigmatic point sources as a result of the J curve that is often used.</span></span></span></p><p><span style="font-family: 'Calibri'"><span style="color: #000000"><span style="font-size: 12px"></span></span></span></p><p><span style="font-family: 'Calibri'"><span style="color: #000000"><span style="font-size: 12px">AFMG’s FIR maker can manipulate magnitude, EQ and phase ofthe components in the array and as I understand is able to resolve / improve some of these issues. </span></span></span></p><p><a href="http://firmaker.afmg.eu/" target="_blank"><span style="font-family: 'Calibri'"><span style="font-size: 12px"><span style="color: #0000ff">http://firmaker.afmg.eu/</span></span></span></a></p><p></p><p><span style="font-family: 'Calibri'"><span style="font-size: 12px"><span style="color: #000000">At the same time some designers are trying to address some of physical the issues you mentioned. Some get the HF sources from individual cabinets very close together so that there is more chance of it behaving as one source. Havea look at the pictures below.</span></span></span></p><p> <span style="font-family: 'Calibri'"><span style="font-size: 12px"><span style="color: #000000"></span></span></span></p><p><span style="font-family: 'Calibri'"><span style="font-size: 12px"><span style="color: #000000">The problem at the end of the day for various reasons is the live sound customer wants, and needs to some extent, a bunch of boxes which are all the same size, not too heavy or big and can be stacked together to do an arena one day and a 1000 seat theatre the next. Trying to meet these physical constraints without compromising the acoustic performance is the challenge.</span></span></span></p></blockquote><p></p>
[QUOTE="Peter Morris, post: 141481, member: 652"] Re: Infocomm??? [FONT=Calibri][COLOR=#000000][SIZE=3]Hi Tom, [/SIZE][/COLOR][/FONT] [FONT=Calibri][COLOR=#000000][SIZE=3]I believe I understand what you are doing with the SH10 and other designs, and as I said earlier I think it’s a great solution.[/SIZE][/COLOR][/FONT] [FONT=Calibri][COLOR=#000000][SIZE=3]My point in respect to line arrays is that they are a compromise; they designed to meet the practical demands of the customer. They are general not deployed as a line sources but more like a collection of astigmatic point sources as a result of the J curve that is often used. [/SIZE][/COLOR][/FONT] [FONT=Calibri][COLOR=#000000][SIZE=3]AFMG’s FIR maker can manipulate magnitude, EQ and phase ofthe components in the array and as I understand is able to resolve / improve some of these issues. [/SIZE][/COLOR][/FONT] [URL="http://firmaker.afmg.eu/"][FONT=Calibri][SIZE=3][COLOR=#0000ff]http://firmaker.afmg.eu/[/COLOR][/SIZE][/FONT][/URL] [FONT=Calibri][SIZE=3][COLOR=#000000]At the same time some designers are trying to address some of physical the issues you mentioned. Some get the HF sources from individual cabinets very close together so that there is more chance of it behaving as one source. Havea look at the pictures below. [/COLOR][/SIZE][/FONT] [FONT=Calibri][SIZE=3][COLOR=#000000]The problem at the end of the day for various reasons is the live sound customer wants, and needs to some extent, a bunch of boxes which are all the same size, not too heavy or big and can be stacked together to do an arena one day and a 1000 seat theatre the next. Trying to meet these physical constraints without compromising the acoustic performance is the challenge.[/COLOR][/SIZE][/FONT] [/QUOTE]
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