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Just for Fun
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<blockquote data-quote="Mike Brown" data-source="post: 81029" data-attributes="member: 1310"><p>Re: Just for Fun</p><p></p><p>Totally depends on the use IMO.</p><p></p><p>If I had to pick a console that I was using for renting/ROI a used M7 would be the way to go. Haven't used the CL stuff yet... but if its "the same, but better" like everyone says it may become a staple as well.</p><p></p><p>If I had to choose a console to go on tour with for FOH I'd choose the SC48.</p><p></p><p>If I had to choose a console to go on tour with for monitors I'd choose the Pro 2. </p><p></p><p>If I had to choose the one single console that I would have to use for every gig it would be the SC48.... I own a ton of great TDM plugins already and the (relatively) built in 32 track recording is such a huge feature for me/the clients I work for.</p></blockquote><p></p>
[QUOTE="Mike Brown, post: 81029, member: 1310"] Re: Just for Fun Totally depends on the use IMO. If I had to pick a console that I was using for renting/ROI a used M7 would be the way to go. Haven't used the CL stuff yet... but if its "the same, but better" like everyone says it may become a staple as well. If I had to choose a console to go on tour with for FOH I'd choose the SC48. If I had to choose a console to go on tour with for monitors I'd choose the Pro 2. If I had to choose the one single console that I would have to use for every gig it would be the SC48.... I own a ton of great TDM plugins already and the (relatively) built in 32 track recording is such a huge feature for me/the clients I work for. [/QUOTE]
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