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Looking for new ideas for routing foldback signals, theatre/musical, etc.
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<blockquote data-quote="kristianjohnsen" data-source="post: 10693" data-attributes="member: 441"><p>Hi all.</p><p></p><p>When letting the band hear the wireless mics in their foldback, just using the typical method of tapping all the wireless channels into whatever wedges/ears via AUXes often leaves the solos at a good Level, but makes the choruses where everybody chimes in too powerful.</p><p></p><p>I sometimes route the AUXes that feed the monitors via matrices so that I can add inn audio groups in order to benefit from the group compression that the audience is hearing. </p><p></p><p>It generally seems to makes the musicians happy, but it takes some time to set up, and it burns a lot of matrices. Also, it makes it impossible to remove one or a few singing performers from the band foldback.</p><p></p><p>How do other people out there solve this?</p></blockquote><p></p>
[QUOTE="kristianjohnsen, post: 10693, member: 441"] Hi all. When letting the band hear the wireless mics in their foldback, just using the typical method of tapping all the wireless channels into whatever wedges/ears via AUXes often leaves the solos at a good Level, but makes the choruses where everybody chimes in too powerful. I sometimes route the AUXes that feed the monitors via matrices so that I can add inn audio groups in order to benefit from the group compression that the audience is hearing. It generally seems to makes the musicians happy, but it takes some time to set up, and it burns a lot of matrices. Also, it makes it impossible to remove one or a few singing performers from the band foldback. How do other people out there solve this? [/QUOTE]
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Looking for new ideas for routing foldback signals, theatre/musical, etc.
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