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<blockquote data-quote="Frederik RosenkjÃ¦r" data-source="post: 124736" data-attributes="member: 850">Re: Looking for new ideas for routing foldback signals, theatre/musical, etc.Like Daniel, I also always give the musicians (and others) a copy of the complete vocal mix going to the audience. That seems to work best and for good reasons. I usually have an &quot;Ensemble/Choir&quot; stereo channel and a &quot;Lead Vocal&quot; mono channel that I fold down, post fader, to one stereo channel to be fed to the band&#039;s monitor system (I use MyMix) together with vocal reverb and delay in stereo, also post fader.That gives them a complete stereo mix of all vocals, lead vocals centered, ensemble panned out and everything in the right levels at all times, because it&#039;s post fader. I pan the ensemble hard on the ensemble bus and then bring them in a little going to FOH with respect to the whole mono/stereo FOH-discussion. That way the band can get a wide stereo image, and the audience a little less so.</blockquote>

[QUOTE="Frederik RosenkjÃ¦r, post: 124736, member: 850"] Re: Looking for new ideas for routing foldback signals, theatre/musical, etc. Like Daniel, I also always give the musicians (and others) a copy of the complete vocal mix going to the audience. That seems to work best and for good reasons. I usually have an "Ensemble/Choir" stereo channel and a "Lead Vocal" mono channel that I fold down, post fader, to one stereo channel to be fed to the band's monitor system (I use MyMix) together with vocal reverb and delay in stereo, also post fader. That gives them a complete stereo mix of all vocals, lead vocals centered, ensemble panned out and everything in the right levels at all times, because it's post fader. I pan the ensemble hard on the ensemble bus and then bring them in a little going to FOH with respect to the whole mono/stereo FOH-discussion. That way the band can get a wide stereo image, and the audience a little less so. [/QUOTE]

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