Log in
Register
Home
Forums
New posts
Search forums
What's new
Featured content
New posts
New profile posts
Latest activity
News
Members
Current visitors
New profile posts
Search profile posts
Features
Log in
Register
What's new
Search
Search titles only
By:
Search titles only
By:
New posts
Search forums
Menu
Install the app
Install
Reply to thread
Home
Forums
Pro Audio
Varsity
Real world tuning in a theatre
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Message
<blockquote data-quote="Timo Beckman" data-source="post: 72584" data-attributes="member: 1173"><p>Re: Real world tuning in a theatre</p><p></p><p>I know what you mean ivan so i try to minmize the damage to the source signal (impossible but still you have to do something) .</p><p>Al trough the the measurement i keep walking the room and listen to the sound at as much positions as possible . If i do not hear problems i move on and continue measuring . </p><p>If do hear problems i try to locate the cause of what i hear via measurements and try to minimize the effect . Sometimes it works sometimes not .</p><p>All depends on the time i have doing the tuning and what kind of system i have to tune .</p><p>This time i was lucky the system being a meyer set-up . By lucky i mean the phase respons of al conventional cabs matches between models most of the time . I only had to alter the respons of these cabs because the Mina centre cluster has a different phase respons (all line array from meyer differ in the phase respons from the conventional cabs with the exception of the cq cab which is again different from the rest of them) .</p><p></p><p></p><p>The 1 source idea would be nice but the set-up has been in this theatre for 2 years in the present config . The mina HP500 thing was added about 2 years ago .</p><p></p><p>I had to give the lead technician a short coarse in doing measurements so we did a tuning of that set . Gave me nice data he's got a start for doing measurements him self and the theatre has a tuned set-up .</p></blockquote><p></p>
[QUOTE="Timo Beckman, post: 72584, member: 1173"] Re: Real world tuning in a theatre I know what you mean ivan so i try to minmize the damage to the source signal (impossible but still you have to do something) . Al trough the the measurement i keep walking the room and listen to the sound at as much positions as possible . If i do not hear problems i move on and continue measuring . If do hear problems i try to locate the cause of what i hear via measurements and try to minimize the effect . Sometimes it works sometimes not . All depends on the time i have doing the tuning and what kind of system i have to tune . This time i was lucky the system being a meyer set-up . By lucky i mean the phase respons of al conventional cabs matches between models most of the time . I only had to alter the respons of these cabs because the Mina centre cluster has a different phase respons (all line array from meyer differ in the phase respons from the conventional cabs with the exception of the cq cab which is again different from the rest of them) . The 1 source idea would be nice but the set-up has been in this theatre for 2 years in the present config . The mina HP500 thing was added about 2 years ago . I had to give the lead technician a short coarse in doing measurements so we did a tuning of that set . Gave me nice data he's got a start for doing measurements him self and the theatre has a tuned set-up . [/QUOTE]
Insert quotes…
Verification
Post reply
Home
Forums
Pro Audio
Varsity
Real world tuning in a theatre
Top
Bottom
Sign-up
or
log in
to join the discussion today!