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<blockquote data-quote="Ivan Beaver" data-source="post: 72585" data-attributes="member: 30">Re: Real world tuning in a theatreI am a HUGE fan of multi mic setups when doing alignment.&nbsp; That way you don&#039;t have to move any mics-just look at the other ones and then go back to others.I have seen some people start at one position-make it right-move to another-make it right and keep going till they have gone all around the room.THE PROBLEM is that rarely do they GO BACK to the starting positions to see what the later adjustments have done to the early positions.You can really mess up a system by doing it that way.&nbsp; Again-hence the multi mic setup-saves a lot of time and enables a much better setup.It is also a good idea doe captures of all of the mic positions when you are finished and overlay them-so see if you see and &quot;trends&quot; that you may have missed (done it many times myself).&nbsp; It seems easier to see in a multitrace screen.</blockquote>

[QUOTE="Ivan Beaver, post: 72585, member: 30"] Re: Real world tuning in a theatre I am a HUGE fan of multi mic setups when doing alignment. That way you don't have to move any mics-just look at the other ones and then go back to others. I have seen some people start at one position-make it right-move to another-make it right and keep going till they have gone all around the room. THE PROBLEM is that rarely do they GO BACK to the starting positions to see what the later adjustments have done to the early positions. You can really mess up a system by doing it that way. Again-hence the multi mic setup-saves a lot of time and enables a much better setup. It is also a good idea doe captures of all of the mic positions when you are finished and overlay them-so see if you see and "trends" that you may have missed (done it many times myself). It seems easier to see in a multitrace screen. [/QUOTE]

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