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<blockquote data-quote="Timo Beckman" data-source="post: 72589" data-attributes="member: 1173">Re: Real world tuning in a theatreMy present smaart rig only allows 3 mics (so 3 mics were used for this tuning) and my SIM3 only can take 8 mics . I currently use 6 DPA 4007&#039;s matched within a 1/4db so it&#039;s not a problem of using multiple mics . Most of the time it&#039;s a problem of time (as is phase both a problem or challenge timewise <img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f642.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=":-)" title="Smile&nbsp; &nbsp; :-)"&nbsp; data-smilie="1"data-shortname=":-)" /> .Lately most of the time the people from managment companies think they can have a superb sound(ing) set-up for a buck and a half which only takes 2 hours to set-up and can provide high quality sound for 10 to 20.000 people .And who needs a sys tech anyway . They coast money so no need for them......duh that&#039;s not going to work but if you tell them that no job next year if you&#039;re not carfull....</blockquote>

[QUOTE="Timo Beckman, post: 72589, member: 1173"] Re: Real world tuning in a theatre My present smaart rig only allows 3 mics (so 3 mics were used for this tuning) and my SIM3 only can take 8 mics . I currently use 6 DPA 4007's matched within a 1/4db so it's not a problem of using multiple mics . Most of the time it's a problem of time (as is phase both a problem or challenge timewise :-) . Lately most of the time the people from managment companies think they can have a superb sound(ing) set-up for a buck and a half which only takes 2 hours to set-up and can provide high quality sound for 10 to 20.000 people . And who needs a sys tech anyway . They coast money so no need for them......duh that's not going to work but if you tell them that no job next year if you're not carfull.... [/QUOTE]

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