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<blockquote data-quote="David Elsbury" data-source="post: 124834" data-attributes="member: 1247">Re: SI Performer/VI ? to replace GB seriesAll of the above, really. Setup time definately comes into it (currently, each bit of kit is in it&#039;s own sleeve, so there is a stack of eq&#039;s, line drive, compresssion, fx) - all must be wired and connected separately -&nbsp; getting it all in the box is a big plus. Being corporate, the smaller the FOH setup the better. And the increased flexibility it offers me as an engineer (being able to throw some gentle compression on the mic mid-presenter because they have decided to start varying their level all over the place, without having to re-route through a subgroup, etc) is a definate bonus. And a CAT5 multicore is always good also.The A+H stuff seemed a lot pricer when I looked, but that was a little while ago, and I must admit that was without me having got quotes.What in the A+H range would you suggest? An 80 and a 114 ? Usually we will have the radio recievers at mix position, with the Soundcraft offerings I am looking at, there are plenty of local inputs whereas with the A+H we would need a small mix rack at FOH, and the rest on stage.. yes?Cheers <img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f642.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=":)" title="Smile&nbsp; &nbsp; :)"&nbsp; data-smilie="1"data-shortname=":)" /></blockquote>

[QUOTE="David Elsbury, post: 124834, member: 1247"] Re: SI Performer/VI ? to replace GB series All of the above, really. Setup time definately comes into it (currently, each bit of kit is in it's own sleeve, so there is a stack of eq's, line drive, compresssion, fx) - all must be wired and connected separately - getting it all in the box is a big plus. Being corporate, the smaller the FOH setup the better. And the increased flexibility it offers me as an engineer (being able to throw some gentle compression on the mic mid-presenter because they have decided to start varying their level all over the place, without having to re-route through a subgroup, etc) is a definate bonus. And a CAT5 multicore is always good also. The A+H stuff seemed a lot pricer when I looked, but that was a little while ago, and I must admit that was without me having got quotes. What in the A+H range would you suggest? An 80 and a 114 ? Usually we will have the radio recievers at mix position, with the Soundcraft offerings I am looking at, there are plenty of local inputs whereas with the A+H we would need a small mix rack at FOH, and the rest on stage.. yes? Cheers :) [/QUOTE]

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