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Time code routing - best practice ?
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<blockquote data-quote="andrew gissing" data-source="post: 11597" data-attributes="member: 75"><p>So we've got this DJ that wants to send time code from stage to FOH down XLR lines - analogue.</p><p></p><p>Usually it's a digital console out front so we would use one or 2 of the analogue return core (we have dual sex XLR panels). </p><p></p><p>Sometimes however we've got a console like SC48/M7CL out front so we need to run analogue to FOH. One of our guys wants to route the time code into our patch rack (totally passive 3 way split no transformers) and unplug those lines from the console. His reasoning was that the monitor console (on the split) could then monitor the time code and see if the DJ gear is generating it. </p><p></p><p>Can I ask for your thoughts - how would you route time code ?</p><p></p><p></p><p>Andrew</p></blockquote><p></p>
[QUOTE="andrew gissing, post: 11597, member: 75"] So we've got this DJ that wants to send time code from stage to FOH down XLR lines - analogue. Usually it's a digital console out front so we would use one or 2 of the analogue return core (we have dual sex XLR panels). Sometimes however we've got a console like SC48/M7CL out front so we need to run analogue to FOH. One of our guys wants to route the time code into our patch rack (totally passive 3 way split no transformers) and unplug those lines from the console. His reasoning was that the monitor console (on the split) could then monitor the time code and see if the DJ gear is generating it. Can I ask for your thoughts - how would you route time code ? Andrew [/QUOTE]
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