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<blockquote data-quote="David Karol" data-source="post: 88310" data-attributes="member: 3">Re: Would you buy this product?This is a phenomenal idea.&nbsp; Let it be known that it was seen on SFN first <img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f642.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=":)" title="Smile&nbsp; &nbsp; :)"&nbsp; data-smilie="1"data-shortname=":)" />.&nbsp; I that something like this would be great for &#039;plug-and-play&#039; applications.&nbsp; Installs are all over the place with 58s and no EQ.&nbsp; Many times there is no console- they&#039;re just plugging into a wall jack feeding a basic mixer in a closet somewhere.&nbsp; For a university lecture hall, high school auditorium, or corporate meeting room, there&#039;s generally no budget (or real need) to keep an operator and console for a whole day.&nbsp; Usually system DSP is limited to speaker outputs on a processor, and is fixed after the installation.&nbsp; Figure the PA was tuned &#039;flat&#039;, or to sound great with music.&nbsp; NOT for a 58.&nbsp; Everyone knows that plenty of EQ is needed to make speech through that microphone even intelligible.__________As I&#039;m writing this post, I&#039;m sitting in a coffee shop with endless free coffee refills.&nbsp; (I plan to be here a while).&nbsp; There&#039;s currently a performer on stage singing into a wireless SM58, going to said &#039;jack on wall&#039; presumably feeding said &#039;basic mixer in the closet&#039;.&nbsp; It sounds exactly like that.&nbsp; A barrel with &#039;58Q&#039; in line with the XLR would do wonders here. There&#039;s a DI for the acoustic guitar, and a Yamaha club series wedge.&nbsp; This is all going through a craptastically tuned, flown VRX rig (2+sub/side) pointed at the back wall.</blockquote>

[QUOTE="David Karol, post: 88310, member: 3"] Re: Would you buy this product? This is a phenomenal idea. Let it be known that it was seen on SFN first :). I that something like this would be great for 'plug-and-play' applications. Installs are all over the place with 58s and no EQ. Many times there is no console- they're just plugging into a wall jack feeding a basic mixer in a closet somewhere. For a university lecture hall, high school auditorium, or corporate meeting room, there's generally no budget (or real need) to keep an operator and console for a whole day. Usually system DSP is limited to speaker outputs on a processor, and is fixed after the installation. Figure the PA was tuned 'flat', or to sound great with music. NOT for a 58. Everyone knows that plenty of EQ is needed to make speech through that microphone even intelligible. __________ [I]As I'm writing this post, I'm sitting in a coffee shop with endless free coffee refills. (I plan to be here a while). There's currently a performer on stage singing into a wireless SM58, going to said 'jack on wall' presumably feeding said 'basic mixer in the closet'. It sounds exactly like that. A barrel with '58Q' in line with the XLR would do wonders here. There's a DI for the acoustic guitar, and a Yamaha club series wedge. This is all going through a craptastically tuned, flown VRX rig (2+sub/side) pointed at the back wall.[/I] [/QUOTE]

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