[ATTACH=JSON]204146.vB5-nodeid=204146[/ATTACH]Founded by Apostle Edgar Hill Roscoe, whose ministry stretches over nearly 50 years, the El Tabernacle church in Walkerville, South Africa, has long suffered from acoustic issues which made it difficult for the worship leaders to be heard above the enthusiastic congregation. Situated in Gauteng, the smallest and most densely populated province in South Africa, El Tabernacle is around half an hour from the center of Johannesburg. Faced with considerable acoustic challenges, church elder Gustav Adams approached Richard Smith of local technical production specialists Sound Harmonics for advice on solving them.
“As part of a complete technical revamp of the building, I was asked to come up with an overall plan to achieve high quality, clear and powerful sound,” explains Smith. “When sizing up a project like this, I like to analyze both the client’s need as well as the hurdles posed by the space itself in a step by step process that allows me to hone in on the best product.”
At El Tabernacle, the room depth of over 150 feet immediately pointed Richard and his team towards a line array. Further analysis of the average congregation size, the type of service, the comportment of the congregation and the type of music being used, as well as the budget was conducted. “We realized that in addition to a room requiring a long throw, the church has a very loud band and a surprisingly loud, exceptionally responsive and vocal congregation during services,” explains Smith. “The church team are all very musical and pretty clear about what they want to hear. The system needed excellent intelligibility, but also enough SPL to overcome and accompany the congregation’s enthusiasm. In addition, the room was acoustically untreated and the expectations we extremely high, so we had to make a careful choice.”
Smith proposed L-Acoustics KARAi and SB18i for the compact footprint and light weight, coupled with enough SPL to cover the entire space, and most importantly, be heard over the congregation.
Adding to the challenge, the stage position is similar to being located beneath a balcony with a closed front. There is a low roof above the stage, with a ‘bulkhead’ across the front, which is part concrete slab and part hollow wooden façade. “The closest ceiling beam that we could have used to fly the main system is around eight meters in front of the stage, so we had to make custom metal beams to hold the KARAi and sub arrays, in order to get them as close to the bulkhead as possible. Even in this position, the main arrays are around two meters in front of the stage lip, so we added ARCS Wide as fills behind them,” says Smith.
Smith’s design features a main system of nine KARAi and four SB18i per side, with the subs being flown in cardioid configuration. Fills comprise a center cluster of two ARCS Wide in a horizontal configuration, plus another ARCS Wide per side as front fills, augmented by a 12XTi outfill per side. A comprehensive monitoring setup includes four 12XTi and two 8XTi for the pastor, further pairs of 12XTi for the choir and sidefills, with two more 8XTi for the church elders. The entire system is powered by LA4, LA4x and LA8 amplified controllers.
Modelling everything in L-Acoustics Soundvision 3D acoustical simulation software was crucial to the project. “It is such a reliable and accurate tool that I am always confident in showing a client the result I am after, because I know that’s exactly what I will achieve. This project was a great example of that, the Soundvision plot precisely matching the coverage and SPLs that we achieved,” assures Smith.
Apostle Roscoe and the church elders have pronounced themselves very happy with the system, with its size and the aesthetics coming in for as much praise as the seamless coverage and sound quality. “The system looks good and the client is ecstatic that we could supply it in white. In many ways the church is quite conservative and the ability to blend the speakers into the background was very important,” says Smith.
Since the El Tabernacle tech team is run by volunteers, Sound Harmonics also spent time making sure the system was calibrated to the sound they wanted, and then training the staff to maintain it, week after week.
“The Church way very clear about what they wanted to hear and KARAi delivers it in bucket loads,” concludes Smith. “It’s clear when there is preaching and it gives them all the feeling they need when the praise and worship music is as loud as any rock ‘n roll concert.”
The church has been so satisfied with the system that they will soon add 5XTs to create a low level distributed nearfield monitor system for the choir and band, further enhancing the experience of services for the performers.
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About L-Acoustics
Founded in 1984 near Paris, France, L-Acoustics is a leading manufacturer of turn-key solutions for the professional sound industry. With 320 team members, 20 percent of whom are dedicated to R&D, L-Acoustics is present in over 75 countries either through subsidiaries or via a network of certified distributors or providers.
Recognized throughout the industry for pioneering the modern line array, L-Acoustics offers a total system approach for both the touring and fixed installation markets, and a product line responding to the needs of venues from the most intimate club to the grandest arena. L-Acoustics sound systems can be heard in places like the Hollywood Bowl, the NBA Houston Rockets Toyota Center, or the Philharmonie de Paris. L-Acoustics solutions have been used at seven of the world’s ten top-grossing festivals*, the London and Sochi Olympics, and on the Foo Fighters Sonic Highways World Tour, among others.
