Re: Add a digital mixer to a analog mixer
To help the OP understand how this may apply to their situation, as I understand it the Appsys remote gain control requires significantly modifying the preamps and voiding their warranty. And I believe that while it can provide control of the preamp gain, you get no level or clip status of the preamp or mixer levels and no control of the mixer's faders or aux sends, etc. I don't know what Tim is trying to do so that may work fine for him, but it seems an ineffective approach for remote mixing since it seems like it would effectively be mixing with the gains while having no indication of the levels or if you are clipping.
Hello Brad. I believe you misunderstood.
First of all, I was making the suggestion towards Tim for his "nagging" project.
Secondly, the modification required on the ADA8Ks are right up there with making something like a patch panel in terms of complexity. Each user will have to determine if that is to complex an undertaking to attempt.
The Behringer preamps cost next to nothing and you're pretty much on your own if Behringer stuff breaks anyway, so my conclusion was that I assume greater "risks" every day making normal business decisions, anyway, so no big deal for me.
Although the intended usage (and mine) is to have remote preamps on stage in the traditional sense, along with a digital mixer at FOH, I believe you misunderstood the part where I suggested an alternative use of the Appsys AGC/ADA8Ks. I'll try to explain better:
The discontinued unit that I linked to (that Tim said would fit perfectly for his needs) was intended to work as a row of remotely controlled attenuators that were to be inserted in the insert point on each channel of an analog mixer. The idea was to use it as a rudimentary programmable automixer back in the days when this was super-expensive, but it would work for what both the OP and Tim wants.
If unable to get a hold of this unit on the used market (and a way to control it from far away), an Appsys RGC and some Behringer ADA8Ks could be used to mimic the same behaviour:
Analog send from insert point of mixer channel 1 goes into analog line jack input 1 on ADA8K. ADAT out and ADAT in on the back of the ADA8K are just connected with a shortie patch cable essentially making the unit behave as a typical preamp with no digital connections. Analog output 1 on the back of the ADA8K is connected to the return point of channel 1 on the mixer. Controlling the gain of the ADA8K will then control how much of the send signal is returned back to the return connection on the mixer. Using an Appsys-modified ADA8K unit will have the only difference that the controls are up to 100 meters away.
Even if one were to be unlucky enough that the signal levels in and out of the ADA8K was to be a complete mismatch in regards to the send return signals the mixers wants to see, one could make a custom MIDI setup to make it impossible to get into a problematic range level-wise.
Hope this clears up what I meant.