I'm attempting to do a 2 box sub arrangement to do some low frequency steering and need some help with my math. I used this article as a guide:
http://www.dasaudio.com/wp-content/uploads/2011/12/Cardioid_Subwoofer_System_V11.pdf
Since I'm a dumb american I decided to do my measurement in feet and inches and choose the upper xover point to find my 1/4 wave length. So, the wavelength is equal to the speed of sound divided by the frequency. I converted the speed of sound from 1130 ft/s to 13560 inches/s. So 13,560 divided by the upper xover point (105Hz) is equal to 129.14 inches. Divide that 4 to get the 1/4 wave length gave me 32.28 inches. This was the distance I used to separate my two cabinets (from front of box to front of box)
I did what the author suggested and measured from the backs of the box. Thus meaning that once I set my reference delay time in smaart for the front box I had to apply delay to the rear box (or in this case the box closest to the mic) to re-align the phase responses of the two sub boxes and decrease the amplitude to match the output levels.
The final step was to invert the rear box (again, the box closest to the mic) and the cardioid pattern should have presented itself in the acoustic realm.
Nope. I checked my procedure and math and can't find my errors.
Is there a better way to do this than as the article suggests?
http://www.dasaudio.com/wp-content/uploads/2011/12/Cardioid_Subwoofer_System_V11.pdf
Since I'm a dumb american I decided to do my measurement in feet and inches and choose the upper xover point to find my 1/4 wave length. So, the wavelength is equal to the speed of sound divided by the frequency. I converted the speed of sound from 1130 ft/s to 13560 inches/s. So 13,560 divided by the upper xover point (105Hz) is equal to 129.14 inches. Divide that 4 to get the 1/4 wave length gave me 32.28 inches. This was the distance I used to separate my two cabinets (from front of box to front of box)
I did what the author suggested and measured from the backs of the box. Thus meaning that once I set my reference delay time in smaart for the front box I had to apply delay to the rear box (or in this case the box closest to the mic) to re-align the phase responses of the two sub boxes and decrease the amplitude to match the output levels.
The final step was to invert the rear box (again, the box closest to the mic) and the cardioid pattern should have presented itself in the acoustic realm.
Nope. I checked my procedure and math and can't find my errors.
Is there a better way to do this than as the article suggests?