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<blockquote data-quote="Max Warasila" data-source="post: 203825" data-attributes="member: 3845">To be real - the DIY is so easy to get good sound out of that I&#039;ve gotten better than expected results in my living room with the StudioSixDigital RTA and some pink noise. I was fortunate enough to get the timing out of the way earlier in the process, so all I have to do is EQ to R.A.T. (right about there) and the results are fine. It&#039;s no slouch and easily out runs my current iteration of the DIY Double 18&quot; from these forums. When I get a chance I hope to find a field to tune in with proper equipment.If you want to get all that you can out of the box, it lends itself very well to DSP corrections, since Peter designed it with that in mind. That said, you don&#039;t *have* to correct for every little thing in there like he has. He&#039;s designed the box such that all of the sections are very happy in their passbands, and that leads to a very detailed and very loud box from the get go.</blockquote>

[QUOTE="Max Warasila, post: 203825, member: 3845"] To be real - the DIY is so easy to get good sound out of that I've gotten better than expected results in my living room with the StudioSixDigital RTA and some pink noise. I was fortunate enough to get the timing out of the way earlier in the process, so all I have to do is EQ to R.A.T. (right about there) and the results are fine. It's no slouch and easily out runs my current iteration of the DIY Double 18" from these forums. When I get a chance I hope to find a field to tune in with proper equipment. If you want to get all that you can out of the box, it lends itself very well to DSP corrections, since Peter designed it with that in mind. That said, you don't *have* to correct for every little thing in there like he has. He's designed the box such that all of the sections are very happy in their passbands, and that leads to a very detailed and very loud box from the get go. [/QUOTE]

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