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Junior Varsity
A&H QU info leaked a day early
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<blockquote data-quote="Dick Rees" data-source="post: 88297" data-attributes="member: 16"><p>Re: A&H QU info leaked a day early</p><p></p><p></p><p></p><p>Here's my take on the GEQ/PEQ conundrum:</p><p></p><p>I prefer to use PEQ on my aux output/monitor sends. Most onboard PEQ is four band, sometimes five. Some of the 4 band setups only have fixed Q/shelving options on the LF and HF. As a result, I still will haul a 3-space rack with Sabine GraphiQ's, giving me 6 aux mix control. Yes, I'm still hauling a (small) rack. But having 12 filters/channel, selectable between dynamic and parametric gives me control far beyond the built-in offerings on the under $10K digital consoles. It also gives me limiting, delay, compression (which I almost never use) and variable Q graphic as well as allowing me to leave a couple of filters in FBX mode to catch the inadvertent monitor scream when the acoustic guitar player bends over to move the set list or adjust their Baggs and reflects monitor into their vocal mic.</p></blockquote><p></p>
[QUOTE="Dick Rees, post: 88297, member: 16"] Re: A&H QU info leaked a day early Here's my take on the GEQ/PEQ conundrum: I prefer to use PEQ on my aux output/monitor sends. Most onboard PEQ is four band, sometimes five. Some of the 4 band setups only have fixed Q/shelving options on the LF and HF. As a result, I still will haul a 3-space rack with Sabine GraphiQ's, giving me 6 aux mix control. Yes, I'm still hauling a (small) rack. But having 12 filters/channel, selectable between dynamic and parametric gives me control far beyond the built-in offerings on the under $10K digital consoles. It also gives me limiting, delay, compression (which I almost never use) and variable Q graphic as well as allowing me to leave a couple of filters in FBX mode to catch the inadvertent monitor scream when the acoustic guitar player bends over to move the set list or adjust their Baggs and reflects monitor into their vocal mic. [/QUOTE]
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A&H QU info leaked a day early
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