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<blockquote data-quote="Arthur Skudra" data-source="post: 40436" data-attributes="member: 131">Re: Acoustic treatment alternativesIMHO, making a room extremely dead makes it an unpleasant experience for the musicians as well as the audience, for musicians it becomes difficult to hear each other, for the audience, cheering and any other participation in the event becomes hindered.&nbsp; Constructive early reflections are good, it&#039;s the late echos that need to be controlled and managed, and any resonances in the room &quot;balanced out&quot; with the appropriate treatment.&nbsp; When outside, people have the unconscious expectation that there are no nearby reflective surfaces.&nbsp; Place them in a room and the expectation will be there that there should be some reflective energy.&nbsp; Don&#039;t mess with people&#039;s minds!!&nbsp; It&#039;s sound *reinforcement* that you should doing here, not sound replacement!&nbsp; <img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f609.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=";)" title="Wink&nbsp; &nbsp; ;)"&nbsp; data-smilie="2"data-shortname=";)" /></blockquote>

[QUOTE="Arthur Skudra, post: 40436, member: 131"] Re: Acoustic treatment alternatives IMHO, making a room extremely dead makes it an unpleasant experience for the musicians as well as the audience, for musicians it becomes difficult to hear each other, for the audience, cheering and any other participation in the event becomes hindered. Constructive early reflections are good, it's the late echos that need to be controlled and managed, and any resonances in the room "balanced out" with the appropriate treatment. When outside, people have the unconscious expectation that there are no nearby reflective surfaces. Place them in a room and the expectation will be there that there should be some reflective energy. Don't mess with people's minds!! It's sound *reinforcement* that you should doing here, not sound replacement! ;) [/QUOTE]

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