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Allen & Heath GLD stage boxes question
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<blockquote data-quote="Scott Slater" data-source="post: 202153" data-attributes="member: 10085"><p>It has more to do with a limitation in the dSnake protocol which I believe is only using 100Mb/sec Ethernet. It can only handle I/O for 60 channels (40 down, 20 up), so you can get 40 channels on stage using a single cable run. If additional channels are needed, you would need a second run using the expander port at the console.</p><p></p><p>I have both the GLD 80 and the 112, and really like these consoles. They are very capable and extremely flexible. I do primarily festival type events, and they are great for that. Having the ability to drag and drop channels into any fader position on the fly is great when dealing with multiple bands.</p><p></p><p>The GLD is definitely worth a look.</p></blockquote><p></p>
[QUOTE="Scott Slater, post: 202153, member: 10085"] It has more to do with a limitation in the dSnake protocol which I believe is only using 100Mb/sec Ethernet. It can only handle I/O for 60 channels (40 down, 20 up), so you can get 40 channels on stage using a single cable run. If additional channels are needed, you would need a second run using the expander port at the console. I have both the GLD 80 and the 112, and really like these consoles. They are very capable and extremely flexible. I do primarily festival type events, and they are great for that. Having the ability to drag and drop channels into any fader position on the fly is great when dealing with multiple bands. The GLD is definitely worth a look. [/QUOTE]
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