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Allen&Heath GLD
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<blockquote data-quote="Jason Raboin" data-source="post: 90488" data-attributes="member: 524"><p>Re: Allen&Heath GLD</p><p></p><p>I mixed on a GLD for the first time last week in Veldez, AK. Through a game of telephone I found out only days before the gig that the GLD was being shipped from Anchorage to Valdez for the gig and that the tech at the venue had never used it. I watched a couple of useless Youtube videos and arranged to go into the venue early to figure out how to configure the console to do the show.</p><p></p><p>I had the console doing what I want within an hour. I made the main outputs send from a stereo matrix, delayed the front fill, etc. It easily performed all the functions you expect from a digital console. It sounded pretty good doing it, too. I would definitely take it for smaller shows and prefer it to an LS 9. I'm pretty sure it sounds better than an M7.</p></blockquote><p></p>
[QUOTE="Jason Raboin, post: 90488, member: 524"] Re: Allen&Heath GLD I mixed on a GLD for the first time last week in Veldez, AK. Through a game of telephone I found out only days before the gig that the GLD was being shipped from Anchorage to Valdez for the gig and that the tech at the venue had never used it. I watched a couple of useless Youtube videos and arranged to go into the venue early to figure out how to configure the console to do the show. I had the console doing what I want within an hour. I made the main outputs send from a stereo matrix, delayed the front fill, etc. It easily performed all the functions you expect from a digital console. It sounded pretty good doing it, too. I would definitely take it for smaller shows and prefer it to an LS 9. I'm pretty sure it sounds better than an M7. [/QUOTE]
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