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<blockquote data-quote="Kevin Unger" data-source="post: 2534" data-attributes="member: 1044">How to get the foot in the door threads.On my first post here, even. I&#039;d like to think anyone involved in these forums first and foremost. I&#039;ve learned a (metric) ton lurking here and elsewhere.Now for something I cannot find an answer to. I&#039;m just going on 24, and I&#039;m not liking my current career choice. I make tooling/parts for aerospace, keeping aging war birds up in the air mostly. I&#039;ve been doing some sort of machine work since I was 17. I&#039;ve found myself to not enjoy it as much as I once did. I started tinkering in audio far before I had schooling in anything else, and I own a nice little rig now. The rig&#039;s been great side money, but local company&#039;s have run me out of the market. I average around a gig a month and it&#039;s usually a bottom-feeder style show for little money for a friend. It&#039;s great and all: because I enjoy it. The little money it does bring in is nice, but the work is what makes it.If I could only figure out how to make a few bucks doing this. I&#039;ve found that the audio industry is tight-knit, I can&#039;t think of a place the hires off the street. Schooling is another thing: I don&#039;t see any FOH classes offered anywhere....</blockquote>

[QUOTE="Kevin Unger, post: 2534, member: 1044"] How to get the foot in the door threads. On my first post here, even. I'd like to think anyone involved in these forums first and foremost. I've learned a (metric) ton lurking here and elsewhere. Now for something I cannot find an answer to. I'm just going on 24, and I'm not liking my current career choice. I make tooling/parts for aerospace, keeping aging war birds up in the air mostly. I've been doing some sort of machine work since I was 17. I've found myself to not enjoy it as much as I once did. I started tinkering in audio far before I had schooling in anything else, and I own a nice little rig now. The rig's been great side money, but local company's have run me out of the market. I average around a gig a month and it's usually a bottom-feeder style show for little money for a friend. It's great and all: because I enjoy it. The little money it does bring in is nice, but the work is what makes it. If I could only figure out how to make a few bucks doing this. I've found that the audio industry is tight-knit, I can't think of a place the hires off the street. Schooling is another thing: I don't see any FOH classes offered anywhere.... [/QUOTE]

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