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<blockquote data-quote="Jeff Babcock" data-source="post: 216825" data-attributes="member: 46">Hi,When using Smaart, for this type of situation, I normally go with 1/12 octave, 2sec,.&nbsp; However, don&#039;t chase down every little peak or dip, keep the number of corrections to a minimum and think in broader strokes unless you are chasing down a very specific issue..&nbsp; Obviously you want to shoot for somewhere in the ballpark of Dolby&#039;s target, but don&#039;t worry about matching it exactly.&nbsp; Keep in mind the effects and limitations of the room make a big difference.&nbsp; Also keep in mind Atmos has a very wide range of sub crossover points, as high as 250Hz.&nbsp; There is a big difference in how the system will sound and be perceived in terms of imaging with an 80Hz crossover vs 250Hz, so keep this in mind (lower is strongly preferable IMO)If this is for your own room, feel free to tweak slightly based on what sounds good to your ears, not what looks best on the screen.</blockquote>

[QUOTE="Jeff Babcock, post: 216825, member: 46"] Hi, When using Smaart, for this type of situation, I normally go with 1/12 octave, 2sec,. However, don't chase down every little peak or dip, keep the number of corrections to a minimum and think in broader strokes unless you are chasing down a very specific issue.. Obviously you want to shoot for somewhere in the ballpark of Dolby's target, but don't worry about matching it exactly. Keep in mind the effects and limitations of the room make a big difference. Also keep in mind Atmos has a very wide range of sub crossover points, as high as 250Hz. There is a big difference in how the system will sound and be perceived in terms of imaging with an 80Hz crossover vs 250Hz, so keep this in mind (lower is strongly preferable IMO) If this is for your own room, feel free to tweak slightly based on what sounds good to your ears, not what looks best on the screen. [/QUOTE]

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