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BEs and System DSP
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<blockquote data-quote="Josh Millward" data-source="post: 101296" data-attributes="member: 970"><p>Re: BEs and System DSP</p><p></p><p></p><p>Exactly. As a house guy for a couple venues I see all kinds of BE and ME types travelling with bands. </p><p></p><p>If you can talk to me intelligently about what you would like to accomplish, I am quite happy to help you achieve it. </p><p></p><p>However, if all you can do is bitch and moan about the Peavey rig you are being forced to used today (never mind that there are 12 mixes available, each using a Crest Audio Pro 9200 to biamp a QW wedge, and there are at least 14 wedges available, processing done with a MediaMatrix NION) I'll probably take whatever you have to say with a pretty good sized brick of salt. Besides, some of the worst offenders are groups who were playing some club last night using some low end passive wedges, and now you are trying to tell me that this 12 mix 31KW monitor rig isn't enough? Yet you were lucky to have 4 working passive monitor mixes last night? Puh-leeze. </p><p></p><p>The best thing to do is to just work together. Communicate with me and let me know what you are trying to do and what I can do to help you get it done. However, unfortunately equipment has limits. The venue does not have a budget to replace all the baskets and diaphragms after each show. I have to use this equipment for the next show, you get to use different equipment. I'll do whatever I can, within the constraints of the equipment I have, to help you have the best show possible, but I'm not going to blow this rig up because you just stand there and demand access into the DSP system. It simply ain't gonna happen. </p><p></p><p>Regardless, simply changing the nameplate on the front of the boxes is not going to make as much of a difference as some people want to think it will.</p></blockquote><p></p>
[QUOTE="Josh Millward, post: 101296, member: 970"] Re: BEs and System DSP Exactly. As a house guy for a couple venues I see all kinds of BE and ME types travelling with bands. If you can talk to me intelligently about what you would like to accomplish, I am quite happy to help you achieve it. However, if all you can do is bitch and moan about the Peavey rig you are being forced to used today (never mind that there are 12 mixes available, each using a Crest Audio Pro 9200 to biamp a QW wedge, and there are at least 14 wedges available, processing done with a MediaMatrix NION) I'll probably take whatever you have to say with a pretty good sized brick of salt. Besides, some of the worst offenders are groups who were playing some club last night using some low end passive wedges, and now you are trying to tell me that this 12 mix 31KW monitor rig isn't enough? Yet you were lucky to have 4 working passive monitor mixes last night? Puh-leeze. The best thing to do is to just work together. Communicate with me and let me know what you are trying to do and what I can do to help you get it done. However, unfortunately equipment has limits. The venue does not have a budget to replace all the baskets and diaphragms after each show. I have to use this equipment for the next show, you get to use different equipment. I'll do whatever I can, within the constraints of the equipment I have, to help you have the best show possible, but I'm not going to blow this rig up because you just stand there and demand access into the DSP system. It simply ain't gonna happen. Regardless, simply changing the nameplate on the front of the boxes is not going to make as much of a difference as some people want to think it will. [/QUOTE]
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