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BEs and System DSP
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<blockquote data-quote="Spenser Hamilton" data-source="post: 99326" data-attributes="member: 2272"><p>Re: BEs and System DSP</p><p></p><p>Thanks for the replies guys. The output levels and limiters were not altered as far as I know, the output EQ was disabled even after being told that it probably wouldn't sound good, things went downhill from there. They were, of course, "our fault".</p><p></p><p>The 'no turning down' clause has shown up once or twice this year, one of those jobs didn't happen because the venue opted not to bid on gig, the other was passed on to another shop higher on the food chain. For the most part we always have enough rig for the gig, so we've never had to turn anyone down, I just found that line to be peculiar.</p><p></p><p>Jay: We saved a preset for the BE, next show we just reverted back to our preset.</p><p></p><p>Evan: Does that fall in line with what you would expect when out with a band? Would you be terribly offended if denied access to the DSP?</p></blockquote><p></p>
[QUOTE="Spenser Hamilton, post: 99326, member: 2272"] Re: BEs and System DSP Thanks for the replies guys. The output levels and limiters were not altered as far as I know, the output EQ was disabled even after being told that it probably wouldn't sound good, things went downhill from there. They were, of course, "our fault". The 'no turning down' clause has shown up once or twice this year, one of those jobs didn't happen because the venue opted not to bid on gig, the other was passed on to another shop higher on the food chain. For the most part we always have enough rig for the gig, so we've never had to turn anyone down, I just found that line to be peculiar. Jay: We saved a preset for the BE, next show we just reverted back to our preset. Evan: Does that fall in line with what you would expect when out with a band? Would you be terribly offended if denied access to the DSP? [/QUOTE]
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