Normal
In a week I'll be heading out with a video crew to a certain week-long music festival in Austin, TX. Last year they didn't have an audio person so their approach to getting B-roll recordings of live show audio involved standing halfway into the audience and recording onto the built-in condenser mics on a zoom H4N.This year we're still using the H4n, but I'm hoping to improve the quality of their show recordings. What do you guys think about using a Sennheiser directional shotgun mic, the Beyerdynamic MM1 measurement mic, and the on-board condensers to get a better room recording? Obviously if it sucks in the room I'll try to get a board feed anyway. Thanks for your thoughts!
In a week I'll be heading out with a video crew to a certain week-long music festival in Austin, TX. Last year they didn't have an audio person so their approach to getting B-roll recordings of live show audio involved standing halfway into the audience and recording onto the built-in condenser mics on a zoom H4N.
This year we're still using the H4n, but I'm hoping to improve the quality of their show recordings. What do you guys think about using a Sennheiser directional shotgun mic, the Beyerdynamic MM1 measurement mic, and the on-board condensers to get a better room recording? Obviously if it sucks in the room I'll try to get a board feed anyway. Thanks for your thoughts!
