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<blockquote data-quote="Ivan Beaver" data-source="post: 92342" data-attributes="member: 30">Re: Cardioid Subs in a Smaller venue.And as you adjust the timing-what may be &quot;better&quot; at one freq makes it a lot worse for another. Or a different listening position.What I like to do is to setup multiple microphones (in front-behind-to the side, off axis etc.Then start to adjust the electrical time and watch all of them (Smaart 7 is good for that sort of thing), and see the entire freq response at all the locations change.&nbsp; Then choose a &quot;happy medium&quot;Then maybe you have to change the physical alignment and start over.But if you don&#039;t look at the entire band of interest (and a bit on either side of it)-you really have no idea what you have.&nbsp; But for people who only like to look at one little aspect (or freq) then you can get some amazing results-even though they may not be that useful in the overall context of the actual production</blockquote>

[QUOTE="Ivan Beaver, post: 92342, member: 30"] Re: Cardioid Subs in a Smaller venue. And as you adjust the timing-what may be "better" at one freq makes it a lot worse for another. Or a different listening position. What I like to do is to setup multiple microphones (in front-behind-to the side, off axis etc. Then start to adjust the electrical time and watch all of them (Smaart 7 is good for that sort of thing), and see the entire freq response at all the locations change. Then choose a "happy medium" Then maybe you have to change the physical alignment and start over. But if you don't look at the entire band of interest (and a bit on either side of it)-you really have no idea what you have. But for people who only like to look at one little aspect (or freq) then you can get some amazing results-even though they may not be that useful in the overall context of the actual production [/QUOTE]

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