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Challenge: quiet VIP speaker
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<blockquote data-quote="Rob Timmerman" data-source="post: 212480" data-attributes="member: 172"><p>There's no magic bullet here that I've run across. The CCM41 in particular is a pretty well-behaved mic, with an appropriately tight pattern for this application, and I'm not convinced that simply swapping out the mic with something else will give you better results.</p><p></p><p>Assuming that the person speaking is within the critical distance of the microphone (i.e. you are getting more direct sound than reverberent sound), I'd be looking at system-level improvements. This means appropriate high-pass filters (as Timo noted), keeping as little output from the PA as possible on the microphones, and perhaps a touch of delay between the microphones and the speakers (makes it harder for feedback loops to start). It may also mean you need to use a distributed speaker system to get sound towards the back of the room, and not just rely on speakers at the front of the room.</p></blockquote><p></p>
[QUOTE="Rob Timmerman, post: 212480, member: 172"] There's no magic bullet here that I've run across. The CCM41 in particular is a pretty well-behaved mic, with an appropriately tight pattern for this application, and I'm not convinced that simply swapping out the mic with something else will give you better results. Assuming that the person speaking is within the critical distance of the microphone (i.e. you are getting more direct sound than reverberent sound), I'd be looking at system-level improvements. This means appropriate high-pass filters (as Timo noted), keeping as little output from the PA as possible on the microphones, and perhaps a touch of delay between the microphones and the speakers (makes it harder for feedback loops to start). It may also mean you need to use a distributed speaker system to get sound towards the back of the room, and not just rely on speakers at the front of the room. [/QUOTE]
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