Re: Coaxial Wedge Collaboration
Another aspect I'd like to begin discussing is the box geometry.I always seam to run into situations where the stage is short in depth or the band is forced to play out of a corner. When that happens it's difficult to get the wedge firing right at the talent.
Another problem I run into is the vice effect on larger wide open stages. Sometimes depending on the wedges I use it seams as though the singers are stuck in a vise. Any great movement left or right and they loose the ineligibility of the wedge. I attribute this to the HF section or the crossover point.Often I would need some side fills for the very mobile front guys/gals.
Note: We use several different types of wedges and some are worse than the others.
Your thoughts on whats a better choice for HF dispersion,besides in-ears! LOL
Traditional horns,HF waveguide,etc?
Multiple angles on the build and if so what would be the best choices?
Geometry where pack space is involved.
Weight.
