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<blockquote data-quote="Emil Gawaziuk" data-source="post: 40146" data-attributes="member: 297">Re: Creating a better money channel in IEM landRest of the mix isn&#039;t the problem, it sits pretty solidly tonality-wise. However on his vocal, he just isn&#039;t getting a desired warmth and response.&nbsp; It may be a latency issue (wireless-LS9-wireless again. It is slight, I can hear it if I really really concentrate on it, but stranger things have happened) as Bennett suggests, but in the long run it is a tonal issue. I am trying to eliminate the inherent sound of an LS9 (not my console choice on the gig. If I had my way it would be a DigiCo, Midas, or Avid.&nbsp; But that is besides the point. My aim is to have a solid analog vocal chain that is the same no matter what the rest of the mix is going through.).&nbsp; The nice thing is I can set up one channel for the Beta capsule and the other for the KSM. The Beta is not the preferred, but on some of the smaller decks and lower roof shows the KSM is not your friend when one is 6 feet from a hard hitting drummer.&nbsp; Just looking for a good workable solution with 4 sweepable bands, a solid sounding preamp, and a way to combine a stereo mix with an analog signal in the analog domain before it heads to the PSM900 tx (once again I would prefer Sennheiser as they sound way way better but the packs will not drive to the level he desires without shitting the bed. The Shures do.)</blockquote>

[QUOTE="Emil Gawaziuk, post: 40146, member: 297"] Re: Creating a better money channel in IEM land Rest of the mix isn't the problem, it sits pretty solidly tonality-wise. However on his vocal, he just isn't getting a desired warmth and response. It may be a latency issue (wireless-LS9-wireless again. It is slight, I can hear it if I really really concentrate on it, but stranger things have happened) as Bennett suggests, but in the long run it is a tonal issue. I am trying to eliminate the inherent sound of an LS9 (not my console choice on the gig. If I had my way it would be a DigiCo, Midas, or Avid. But that is besides the point. My aim is to have a solid analog vocal chain that is the same no matter what the rest of the mix is going through.). The nice thing is I can set up one channel for the Beta capsule and the other for the KSM. The Beta is not the preferred, but on some of the smaller decks and lower roof shows the KSM is not your friend when one is 6 feet from a hard hitting drummer. Just looking for a good workable solution with 4 sweepable bands, a solid sounding preamp, and a way to combine a stereo mix with an analog signal in the analog domain before it heads to the PSM900 tx (once again I would prefer Sennheiser as they sound way way better but the packs will not drive to the level he desires without shitting the bed. The Shures do.) [/QUOTE]

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