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<blockquote data-quote="Frederik RosenkjÃ¦r" data-source="post: 146499" data-attributes="member: 850">Re: Cueing Software for Yamaha Digital MixersAndrew - it&#039;s very interesting, what you are doing here. (I haven&#039;t had time to engage in the thread because of two overlapping musical theatre productions)I&#039;m having trouble envisioning how the whole thing works - where does what reside, is the console&#039;s own scene memory system out of the loop altogether, or?I have a CL1, a CL5 and a QL1 which I often use for theatre work (the CL&#039;s mostly). As you probably know the CL&#039;s have a much better feature set than the M7 and LS9 regarding theatre (mainly the much more granular Focus Recall-feature), but there are still a few things that could be better.One thing I&#039;ve been missing in the production I had earlier this month some way of managing a &quot;song&quot; within a musical. I&#039;ve been doing it this way: When a song starts, everything is recalled - both band and radio mics. But for changes during the song, most only the radio mics section is recalled, to allow for different singers doing different parts, ensemble parts etc. But if I want to make changes to the band later on during the song, I have to save those changes to the first Scene of the song, where everything is recalled. It would be fantastic with some kind of back-tracking feature that, when you press Store, looks back through the Scene Memories in reverse chronological order and saves each channel to the last scene in which it was in Focus. (and also when recalling a scene, that it could back-track and find the last time each channel was in Focus and recall the setting from that scene for that channel)Can your software do this? I know DigiCo has a grouping feature in their Theatre version software where you define a song as a group of snapshots and it&#039;s handled that way.</blockquote>

[QUOTE="Frederik RosenkjÃ¦r, post: 146499, member: 850"] Re: Cueing Software for Yamaha Digital Mixers Andrew - it's very interesting, what you are doing here. (I haven't had time to engage in the thread because of two overlapping musical theatre productions) I'm having trouble envisioning how the whole thing works - where does what reside, is the console's own scene memory system out of the loop altogether, or? I have a CL1, a CL5 and a QL1 which I often use for theatre work (the CL's mostly). As you probably know the CL's have a much better feature set than the M7 and LS9 regarding theatre (mainly the much more granular Focus Recall-feature), but there are still a few things that could be better. One thing I've been missing in the production I had earlier this month some way of managing a "song" within a musical. I've been doing it this way: When a song starts, everything is recalled - both band and radio mics. But for changes during the song, most only the radio mics section is recalled, to allow for different singers doing different parts, ensemble parts etc. But if I want to make changes to the band later on during the song, I have to save those changes to the first Scene of the song, where everything is recalled. It would be fantastic with some kind of back-tracking feature that, when you press Store, looks back through the Scene Memories in reverse chronological order and saves each channel to the last scene in which it was in Focus. (and also when recalling a scene, that it could back-track and find the last time each channel was in Focus and recall the setting from that scene for that channel) Can your software do this? I know DigiCo has a grouping feature in their Theatre version software where you define a song as a group of snapshots and it's handled that way. [/QUOTE]

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