Danley

Randy Gartner

Junior
Jan 12, 2011
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randygartnersound.com
Over the years,I have read and heard so much about Tom Danley and how great his products are.Yet I have never come across one either in a live or installed setting.Looking through month after month of pro audio publications that list providers and equipment,I don't recall seeing Danley products mentioned. I suppose price has something to do with that,yet at the National level,other pro audio products are expensive too. Are there any regional or national providers using Danley for live sound?
 
Re: Danley

I've not had the chance to come in contact with any of his official kit either, but I have been to about 8 different shows sporting Labhorn rigs... and they blew me away, although I was glad I wast carrying them.
 
Re: Danley

My suspicion is that they do not target large touring sound because it isn't that large or profitable of a market segment. Large companies that play in that space do so to win hearts and minds, to sell lesser products to weekend warriors. The smaller companies in that space often get sold because they are not doing so well financially (not a way to get rich). :-(.

While I don't follow their business closely they seem to have some success in several large stadium installs and higher end venues, while they have only been active in the business for several years so are still making their name.

There is a lot of inertia in the install business so to win deals requires compelling advantage to get a consultant to change horses mid race from a brand that has worked for them in the past. My sense is that Danley is not buying business with cheap prices so their wins are based on better performance alone, never easy to sell across large geographic areas without demos. I suspect they have more success in local regions where early design wins, gave them systems that can be seen and heard, leading to more design wins.

While some of their products would probably work for live concert applications, I do not expect it would be a productive business strategy at this time.

Or not mostly personal speculation...

JR(a drinker of the Danley kool-aid).
 
Re: Danley

Over the years,I have read and heard so much about Tom Danley and how great his products are.Yet I have never come across one either in a live or installed setting.Looking through month after month of pro audio publications that list providers and equipment,I don't recall seeing Danley products mentioned. I suppose price has something to do with that,yet at the National level,other pro audio products are expensive too. Are there any regional or national providers using Danley for live sound?

Not that I'm aware of at any large scale... It's about marketing and long term relationships. This kind of expands on JR's post...

I wanted Danley subs for one of our non-VerTec rigs (to hold down the footprint and transportation needs) but it turned out they were impossible to "sell" to a BE or PM during the advance. The BE world is very insular; "...if my best buddy in the whole touring universe didn't recommend them, they can't be any good; if I didn't hear about Clair buying a year's worth of production, I'm not willing to take a chance; if I read it in FOH or PLSN it must all be hype." Certain products from "3 letter companies" (note the plural) are duff while others are brilliant, but BEs will take the duff stuff just because of the badge on the box. It's kind of like the old saying in IT, "nobody ever got fired for specifying IBM."

Toss in that there is much more money for manufacturers in installation of audio systems than in portable sound. Example: Community spent a lot of money (but not enough of it) to market the AirForce® trap box rig. Almost no power compression, very efficient, great pattern control... but Community lacked a sufficient understanding of how to market to national providers. When they finally figured it out, they scrapped the whole line because making a profit selling to this market was not in the cards after the expenses of building a stadium-capable demo rig to send out. Bruce probably made more $$ from the R-series in the first 3 years than he'd have made from AirForce® over its sales lifetime...

In the install world, the client is paying for a specific solution to a particular problem or collection of problems. It's about performance. If the client's needs are met at the agreed upon price, brand names are not usually relevant except that designers or installers may have favorable previous experience with (and therefore some loyalty to) particular manufacturers. As JR points out, steering designers is kind of like turning an aircraft carrier, but a couple of successful installs are the best marketing - especially if the venues have been notoriously replacing systems because the previous iteration improved, but did not fix the problems.

Danley is not hype. Their gear does what they claim it will and a visit to an installation will confirm, for ones own ears, that they do indeed deliver. Several smaller providers (Cobra, Pascal Pincosy, a few others) routinely field Danley products for portable use, too. Jeff at Cobra "turns" his inventory every 2 years or so (hint)... At any rate, Danley is a premium product and if you have a need their products can fulfill and clients willing to pay for that level of solution, I say rock on.
 
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Re: Danley

Here's a little install they did:

Danley's install at LSU's Tiger Stadium - YouTube

For what it's worth, I have 4 of the Danley TH 212's in my little weekend rig. Upon first sight by those that don't know, I'm told that I don't have enough subs..After I power them up and their jaws are back in place, I'm asked a thousand times "12's?"...Yep. 12's
 
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Re: Danley

I have been to a Danley demo and was favorably impressed with what I heard. I will say that pro touring product are almost always built to a dimension that favors packing into standard ruck widths. When I went to the Danley demo, I did not see one speaker system that was built to such dimensions. Based on that, I had to surmise that they didn't give a flip for the portable live sound market.
 
Re: Danley

Over the years,I have read and heard so much about Tom Danley and how great his products are.Yet I have never come across one either in a live or installed setting.Looking through month after month of pro audio publications that list providers and equipment,I don't recall seeing Danley products mentioned. I suppose price has something to do with that,yet at the National level,other pro audio products are expensive too. Are there any regional or national providers using Danley for live sound?

Hi Guys
We do not advertise much and live sound is strongly advertising driven and given the hurdles overcoming what marketing has taught about the ubiquitous line array and it’s surrounding mythology and the Rider acceptance requirement we have elected to focus on installed sound instead

In that area, particularly in large venues, the existing systems usually are what would be used in live sound but are not satisfying the venue management and so not bound by Rider issues or marketing they are usually very willing to do a side by side comparisons.

The most recent stadium is the Buffalo Bills stadium in NY but I have some videos i took from one before that from a few weeks ago.
If you have heard stadium sound using traditional stuff, try these videos with headphones.
The first is Tiger stadium, the loudest stadium in the USA.

This sound system can produce 105dB A at 800+ feet and a couple of the videos were taken at the far end, one shows how hard the wind was blowing. In both cases the speakers are in the scoreboard and in both cases, due to the CD behavior, the SPL only varies a couple dB across the entire stadium, much less variation than the line arrays can deliver and it sounds the same everywhere.

https://www.dropbox.com/sh/nmmmdtum82lyig9/QnEaYWlnDE

The next one is at Michigan State

https://www.dropbox.com/sh/6lahzvv2l61fi3j/BAGq5sRR1G
Best,
Tom Danley
Physics, not Fads
 
Re: Danley

Over the years,I have read and heard so much about Tom Danley and how great his products are.Yet I have never come across one either in a live or installed setting.Looking through month after month of pro audio publications that list providers and equipment,I don't recall seeing Danley products mentioned. I suppose price has something to do with that,yet at the National level,other pro audio products are expensive too. Are there any regional or national providers using Danley for live sound?


Hi Randy,

We've had great success using Danley's products in live settings from Delaware through Connecticut. We do several annual events in the Central PA region with mostly Danley gear. We haven't had any issues winning over BE's--especially after they get to take a listen.

Jeff
 
Re: Danley

I have been to a Danley demo and was favorably impressed with what I heard. I will say that pro touring product are almost always built to a dimension that favors packing into standard ruck widths. When I went to the Danley demo, I did not see one speaker system that was built to such dimensions. Based on that, I had to surmise that they didn't give a flip for the portable live sound market.
I am not sure what you mean that they speakers are not built for truck pack dimensions. ACTUALLY most of the larger gear (that would be used in a truck situation IS truck pack dimension (22.5-30-45-60 etc.) I am not sure what you were looking for.

There is a lot of it around-and more every day.
 
Re: Danley

My suspicion is that they do not target large touring sound because it isn't that large or profitable of a market segment. Large companies that play in that space do so to win hearts and minds, to sell lesser products to weekend warriors. The smaller companies in that space often get sold because they are not doing so well financially (not a way to get rich). :-(.

While I don't follow their business closely they seem to have some success in several large stadium installs and higher end venues, while they have only been active in the business for several years so are still making their name.

There is a lot of inertia in the install business so to win deals requires compelling advantage to get a consultant to change horses mid race from a brand that has worked for them in the past. My sense is that Danley is not buying business with cheap prices so their wins are based on better performance alone, never easy to sell across large geographic areas without demos. I suspect they have more success in local regions where early design wins, gave them systems that can be seen and heard, leading to more design wins.

While some of their products would probably work for live concert applications, I do not expect it would be a productive business strategy at this time.

Or not mostly personal speculation...

JR(a drinker of the Danley kool-aid).
You hit it on the head. While we are not avoiding the tour market-it is a very "finiky" market. There is a lot more business in the install market and RECURRING business.

If a tour company buys a system-that may be all they buy for awhile. But a install contractor has to buy a new system for every install. That could be hundreds per year :)

Danley is making large strides in the large outdoor stadium install market-where it is hard to get decent sound. We are making advances because the products simply work better than the "tour" products that have been tried.

Often when doing a demo-we are asked NOT to play the existing system any more (sometimes it is just a few years old and very popular product) because somebody is concerned that the "money guys" will start questioning the choice a few years ago.

The tour market will "find" Danley when it is ready.

Business is good and as a matter of fact last week we surpassed last years sales-so things are looking very good. :)
 
Re: Danley

Over the years,I have read and heard so much about Tom Danley and how great his products are.Yet I have never come across one either in a live or installed setting.Looking through month after month of pro audio publications that list providers and equipment,I don't recall seeing Danley products mentioned. I suppose price has something to do with that,yet at the National level,other pro audio products are expensive too. Are there any regional or national providers using Danley for live sound?
I am not sure what "pro audio publications" you are looking at-but there are regular articles about installs of Danley products. Not so much on the "tour" side of things-yet.

There are a number of local providers using Danley subs. It is a lot harder to get rider acceptance with full range boxes-but some guys are not as picky about the subs-I said some-not all.

Just stay tuned-there are lots of exciting things in the works and new markets to "attack".

Danley is a growing company-you will be hearing more in the future.

The Danley Facebook page has some of the new 'happenings".
 
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I live in the world I get to have a rider and most of the time actually get to make the provider stick to it. I have mixed on two Danley rigs in the past couple of years. One was 2 SH50's per side with no subs and the other was one SH69 per side (sideways to be 90x60) over a TH115. Both were stunning. To have competed using line array, you would have needed a fairly long array to get the same pattern control. Only the top few manufacturers are making line array boxes that can compete sonically. The cost would have been many times the cost of the Danley rigs, and would only have achieved slightly better front to back level consistency. To me, it would seem that Danley is a bargain.
 
Re: Danley

We use a pair of the Danley JH-90's for university football games, and part of the situation is that it's not an install but a game-day setup and teardown. So anything conventional was out, and we became early adopters. Amazing boxes, but from a rock&roll perspective they look like 1980's boxes... not sexy at all. The sports market doesn't care about that, and they're definitely partial to Danley products. Ditto on a lot of the church market, at least the part that doesn't want to dangle a big fancy line array as part of the decor.
 
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Maybe Danley can sell some fake line arrays, like all those empty guitar amp cabinets that end up on stage, then hide a couple real speakers behind the fake LA. The fake LA could be light weight, maybe even printed on a scrim.... :-)

JR
 
Re: Danley

Maybe Danley can sell some fake line arrays, like all those empty guitar amp cabinets that end up on stage, then hide a couple real speakers behind the fake LA. The fake LA could be light weight, maybe even printed on a scrim.... :-)

JR

The sad part is that what you have just described might actually work. I would consider it if I had to use Danley but the Event Manager demanded LAs for the sense of "concert."

EDIT: From another point of view, from Danley's perspective, wouldn't that make them no better than any of the other companies? After all, a good portion of the boxes out there are pretty much just empty boxes...
 
Re: Danley

Maybe Danley can sell some fake line arrays, like all those empty guitar amp cabinets that end up on stage, then hide a couple real speakers behind the fake LA. The fake LA could be light weight, maybe even printed on a scrim.... :-)
JR

I talked with Ivan about this exact thing, probably more than once. We have a current project where the 'look' of a line array was very important, larger boxes = louder, so we thought about an SH-96HO with 3-5 fake -96's hanging under them. It ended up not happening, but it's crossed our minds multiple times.

In the church install market, many (most?) people remember two stereotypical systems - a point source cluster of horns from 30+ years ago aimed for speech use, versus the line array du jour from a recent concert. Thus, line array is louder/more bass/sounds better than point source and horns. It's hard to get people to be open to non-line-array solutions, especially when a shootout has the speakers in plain sight and they hear with their eyes. Subwoofers are easier, a stack of black boxes with two 18" drivers looks like a stack of black DBH-218 subs, it's easier to focus on the sound quality/extension/output.

Cost-wise, I also say Danley is a bargin. I recently did some models of a couple mid-size line arrays, compared to SH-46's (with optional SH-25 for long throw per side). Danley cost less to cover the same size area. Also compared a large format line array with the J2's, it was even more of a price advantage to Danley.

Another advantage is amp/DSP space. We designed a sound system for a medium size church, over 100dBA long term output, additional 14 dB of subbass versus mains - and the total DSP/amps requirement was 2 RU. (2x SH-96's, 2x DBH-218's, 2x K10 or K20 DSP amps I forget which).
 
Re: Danley

Maybe Danley can sell some fake line arrays, like all those empty guitar amp cabinets that end up on stage, then hide a couple real speakers behind the fake LA. The fake LA could be light weight, maybe even printed on a scrim.... :-)

JR
Come to WFX this year. You may see just that-but with a big "joke" attached--------------------------------
 
Re: Danley

I remain hopeful that the market will eventually come around***. The beauty of large scale sound reinforcement is that BS just doesn't carry as much weight when physics and reality get a vote. However LA are the modern day equivalent of "digital" that was such a powerful fashion hook (still kind of is).

It is extremely expensive to educate and convert customers one at a time when a meme gets entrenched... I'd let the LA craze run it's course for now and make hay in the markets that are more responsive to objective data. Eventually the masses will figure out that they've been hitched to the wrong horse (or not).

JR

*** still waiting for voters to figure stuff out too... Life is short.