Log in
Register
Home
Forums
New posts
Search forums
What's new
Featured content
New posts
New profile posts
Latest activity
News
Members
Current visitors
New profile posts
Search profile posts
Features
Log in
Register
What's new
Search
Search titles only
By:
Search titles only
By:
New posts
Search forums
Menu
Install the app
Install
Reply to thread
Home
Forums
Pro Audio
Varsity
Digital Console purchase for a 400 capacity theater
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Message
<blockquote data-quote="Simon Coffin" data-source="post: 147792" data-attributes="member: 388"><p>Re: Digital Console purchase for a 400 capacity theater</p><p></p><p>Hi TJ,</p><p></p><p>The GLD also struck me as being much more capable and professional than I expected. I wrote earlier that is looks a bit plastic and frail in the documentation, but in person is a stout, robust console.</p><p></p><p>Does anyone know if one of the GLD stage boxes, the AR2412 for example, can be used on a DLive? They use the Dsnake protocol, but I do not see an adapter or interface for the DLive. I ask because the other techs have raised the need for more inputs at FOH beyond the built in 8x8. I suppose a Dante card and a Yamaha Rio16x8 may work.</p><p></p><p>On a slightly related topic, can anyone familiar with the Midas Pro2 talk about ease of use? I am concerned that the BEs we see - having wildly differing talent and ability - are going to need more assistance learning the Pro2 interface than a DLive or QL. Rider friendliness does not concern me greatly, a capable engineer can get good sound out of many consoles, but ease of use issues are harder to overcome.</p><p></p><p>Cheers,</p></blockquote><p></p>
[QUOTE="Simon Coffin, post: 147792, member: 388"] Re: Digital Console purchase for a 400 capacity theater Hi TJ, The GLD also struck me as being much more capable and professional than I expected. I wrote earlier that is looks a bit plastic and frail in the documentation, but in person is a stout, robust console. Does anyone know if one of the GLD stage boxes, the AR2412 for example, can be used on a DLive? They use the Dsnake protocol, but I do not see an adapter or interface for the DLive. I ask because the other techs have raised the need for more inputs at FOH beyond the built in 8x8. I suppose a Dante card and a Yamaha Rio16x8 may work. On a slightly related topic, can anyone familiar with the Midas Pro2 talk about ease of use? I am concerned that the BEs we see - having wildly differing talent and ability - are going to need more assistance learning the Pro2 interface than a DLive or QL. Rider friendliness does not concern me greatly, a capable engineer can get good sound out of many consoles, but ease of use issues are harder to overcome. Cheers, [/QUOTE]
Insert quotes…
Verification
Post reply
Home
Forums
Pro Audio
Varsity
Digital Console purchase for a 400 capacity theater
Top
Bottom
Sign-up
or
log in
to join the discussion today!