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Low Earth Orbit
DIY Audio
Double 10 and Horn
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<blockquote data-quote="Peter Morris" data-source="post: 146157" data-attributes="member: 652"><p>Re: Double 10 and Horn</p><p></p><p>The earlier versions of my double 10 used standard compression drivers crossed at 900 to 1200 Hz. It didn’t work as well as the BMS version crossed at 650Hz. Once you get up around 1000Hz the 10’s don’t play that well together, it works but its not as good. Some of the new 4" compression drivers from B&C, 18sound, RCF etc. may be an option crossed at 700 - 800Hz.</p><p></p><p>You could make the box as a MTM with the horn in the middle as Marjan suggested. I think this would work acoustically better. I decided to put the horn on top simply because it made it easy to get the HF above the audience’s head height.</p><p></p><p>Like Marjan, I’m not a fan of 2.5 way crossovers. The 250 Hz crossover on one driver creates phase cancelation and directivity issues that can be difficult to deal with.</p></blockquote><p></p>
[QUOTE="Peter Morris, post: 146157, member: 652"] Re: Double 10 and Horn The earlier versions of my double 10 used standard compression drivers crossed at 900 to 1200 Hz. It didn’t work as well as the BMS version crossed at 650Hz. Once you get up around 1000Hz the 10’s don’t play that well together, it works but its not as good. Some of the new 4" compression drivers from B&C, 18sound, RCF etc. may be an option crossed at 700 - 800Hz. You could make the box as a MTM with the horn in the middle as Marjan suggested. I think this would work acoustically better. I decided to put the horn on top simply because it made it easy to get the HF above the audience’s head height. Like Marjan, I’m not a fan of 2.5 way crossovers. The 250 Hz crossover on one driver creates phase cancelation and directivity issues that can be difficult to deal with. [/QUOTE]
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