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Junior Varsity
Driving stage wedges
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<blockquote data-quote="Jay Barracato" data-source="post: 67378" data-attributes="member: 24"><p>It is about the number of competing sources for similar sounds.</p><p></p><p>For your guitarist to clearly hear in the iems they have to seal well enough (custom molds) to reduce all the ambient sound from the house system, the monitors, and the stage amps, or be loud enough to overcome all that. If the source the musician intends to focus on isn't significantly louder then the others they will hear all of them as a smeared mud with no clarity.</p><p></p><p>I am also a big fan of side fills. If I were helping train a new ensemble with no previous experience (bad habits) I would train them to listen to the same minimal mix where they can hear each other rather than creating another of "more me is all that matters".</p></blockquote><p></p>
[QUOTE="Jay Barracato, post: 67378, member: 24"] It is about the number of competing sources for similar sounds. For your guitarist to clearly hear in the iems they have to seal well enough (custom molds) to reduce all the ambient sound from the house system, the monitors, and the stage amps, or be loud enough to overcome all that. If the source the musician intends to focus on isn't significantly louder then the others they will hear all of them as a smeared mud with no clarity. I am also a big fan of side fills. If I were helping train a new ensemble with no previous experience (bad habits) I would train them to listen to the same minimal mix where they can hear each other rather than creating another of "more me is all that matters". [/QUOTE]
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