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Junior Varsity
Earset Bodypack Gain
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<blockquote data-quote="Max Warasila" data-source="post: 202411" data-attributes="member: 3845"><p>For those of you who normally use wireless earsets in a theatrical setting, how do you go about determining the proper gain at the bodypack. I've been fiddling with it off and on over the last few months and found that, surpisingly, lower is often better than expected. Any thoughts? My theory is currently that less of the extraneous stage volume gets pushed through the compander and therefore leaves a cleaner signal at the end of the process, as well as far more headroom for consonants and dynamics.</p></blockquote><p></p>
[QUOTE="Max Warasila, post: 202411, member: 3845"] For those of you who normally use wireless earsets in a theatrical setting, how do you go about determining the proper gain at the bodypack. I've been fiddling with it off and on over the last few months and found that, surpisingly, lower is often better than expected. Any thoughts? My theory is currently that less of the extraneous stage volume gets pushed through the compander and therefore leaves a cleaner signal at the end of the process, as well as far more headroom for consonants and dynamics. [/QUOTE]
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