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<blockquote data-quote="Michael John" data-source="post: 3447" data-attributes="member: 830">For anyone who&#039;s interested, I thought I&#039;d share the DSP settings I&#039;ve created for the EAW VR series speakers that I use. These cabinets were the best I could afford a few years back and when I got access to Lake processing (for reasons I won&#039;t go into here), I figured I&#039;d bi-amp the VR21&#039;s to squeeze a little more power and quality out of them. (I know, for many people, these cabinets are on the cheap end of the scale. Please, no flaming. <img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f642.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=":)" title="Smile&nbsp; &nbsp; :)"&nbsp; data-smilie="1"data-shortname=":)" />~<img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f642.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=":-)" title="Smile&nbsp; &nbsp; :-)"&nbsp; data-smilie="1"data-shortname=":-)" />~:smile<img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f642.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=":)" title="Smile&nbsp; &nbsp; :)"&nbsp; data-smilie="1"data-shortname=":)" />I&#039;d welcome any comments or feedback on this. I&#039;ve kind of made this up as I go.Here are screen shots of the module.Delay&#039;s- 0.44ms to align the VR21 12&quot; with the horn- additional 5ms on the VRS12 to match the delay of the linear phase crossover used in the VR21[ATTACH]156250[/ATTACH]Gains[ATTACH]156251[/ATTACH]VRS12 2 x 12&quot; sub.- EAW recommended HPF and parametric.- Linkwitz-Riley LPF to cross with the VR21[ATTACH]156252[/ATTACH]Linear phase brick wall crossover for the VR21- LPBW chosen to reduce lobing around the crossover region - 5ms delay- 1.2kHz somewhat arbitrary[ATTACH]156253[/ATTACH]EQ for the VR21- Created using pink noise and SysTune at about 1m.- Note the notch at 3.6 kHz. (I could hear some weird resonance.)- The highs are adjusted to taste in each venue using another overlay[ATTACH]156254[/ATTACH]Best,Michael</blockquote>

[QUOTE="Michael John, post: 3447, member: 830"] For anyone who's interested, I thought I'd share the DSP settings I've created for the EAW VR series speakers that I use. These cabinets were the best I could afford a few years back and when I got access to Lake processing (for reasons I won't go into here), I figured I'd bi-amp the VR21's to squeeze a little more power and quality out of them. (I know, for many people, these cabinets are on the cheap end of the scale. Please, no flaming. :)~:-)~:smile:) I'd welcome any comments or feedback on this. I've kind of made this up as I go. Here are screen shots of the module. Delay's - 0.44ms to align the VR21 12" with the horn - additional 5ms on the VRS12 to match the delay of the linear phase crossover used in the VR21 [ATTACH=CONFIG]156250.vB5-legacyid=2948[/ATTACH] Gains [ATTACH=CONFIG]156251.vB5-legacyid=2949[/ATTACH] VRS12 2 x 12" sub. - EAW recommended HPF and parametric. - Linkwitz-Riley LPF to cross with the VR21 [ATTACH=CONFIG]156252.vB5-legacyid=2950[/ATTACH] Linear phase brick wall crossover for the VR21 - LPBW chosen to reduce lobing around the crossover region - 5ms delay - 1.2kHz somewhat arbitrary [ATTACH=CONFIG]156253.vB5-legacyid=2951[/ATTACH] EQ for the VR21 - Created using pink noise and SysTune at about 1m. - Note the notch at 3.6 kHz. (I could hear some weird resonance.) - The highs are adjusted to taste in each venue using another overlay [ATTACH=CONFIG]156254.vB5-legacyid=2952[/ATTACH] Best, Michael [/QUOTE]

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