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Favorite Stage Monitor
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<blockquote data-quote="Art Welter" data-source="post: 122965" data-attributes="member: 52"><p>Re: Favorite Stage Monitor</p><p></p><p></p><p>I agree with Michael Smithers. Most wedges are ported, they still are too small to produce "prodigious" LF/VLF output when compared to the subs used on most shows, but the reduction in excursion the port provides at the low end cleans up the vocal range when driven hard. The location of the vent port, whether on the front near the floor (where it can make a convenient handle without wasting precious internal space) or on the front baffle (where they tend to let out more rear cone midrange, smearing the vocal range) makes very little (if any) difference in the stage deck excitation.</p></blockquote><p></p>
[QUOTE="Art Welter, post: 122965, member: 52"] Re: Favorite Stage Monitor I agree with Michael Smithers. Most wedges are ported, they still are too small to produce "prodigious" LF/VLF output when compared to the subs used on most shows, but the reduction in excursion the port provides at the low end cleans up the vocal range when driven hard. The location of the vent port, whether on the front near the floor (where it can make a convenient handle without wasting precious internal space) or on the front baffle (where they tend to let out more rear cone midrange, smearing the vocal range) makes very little (if any) difference in the stage deck excitation. [/QUOTE]
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