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Festival FOH protocol
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<blockquote data-quote="Primoz Vozelj" data-source="post: 12875" data-attributes="member: 7409"><p>The band I mix got booked for a festival a couple of months ago. I got a list of PA equipment that's gonna be used. Midas PRO9 on FOH. I built a show in offline editor, channel names, DCAs, dynamics, some eq starting points, aux sends, FX rack, etc. When I came on soundcheck (morning of show day) I asked the system engineer if I can load my show file of USB and he said no, because he would have to do all the input patching (16ch inputs, and LR sub FF outs). He loaded a generic scene and I started doing my thing. It was no disaster because I had just enough time to do most of the things on location. (except that I felt a bit like an idiot)</p><p>So my question is what is the correct protocol for this kind of situations? Should I email them a show file I built in advance? Or should I put it in the rider that its condition that I use my own show files?</p></blockquote><p></p>
[QUOTE="Primoz Vozelj, post: 12875, member: 7409"] The band I mix got booked for a festival a couple of months ago. I got a list of PA equipment that's gonna be used. Midas PRO9 on FOH. I built a show in offline editor, channel names, DCAs, dynamics, some eq starting points, aux sends, FX rack, etc. When I came on soundcheck (morning of show day) I asked the system engineer if I can load my show file of USB and he said no, because he would have to do all the input patching (16ch inputs, and LR sub FF outs). He loaded a generic scene and I started doing my thing. It was no disaster because I had just enough time to do most of the things on location. (except that I felt a bit like an idiot) So my question is what is the correct protocol for this kind of situations? Should I email them a show file I built in advance? Or should I put it in the rider that its condition that I use my own show files? [/QUOTE]
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