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<blockquote data-quote="kristianjohnsen" data-source="post: 51944" data-attributes="member: 441">Re: Fog machine remote controll, using a snake channel ?Hello.I have done it many times with no ill effects, but have had issues on a few rare occations where a high-pitched whine was audible in just about every mic input.&nbsp; I have found that the likelyhood of having issues seems greatest with snakes where all pin1&#039;s are connected to each other.&nbsp; Generally, dimmer noise is a much bigger issue.I do have the following observation to contribute:&nbsp; One big issue with running an &quot;unknown&quot; DMX line through the audio snake is that we soundfolks usually take great care in making sure that FOH is on the same circuit or gounding scheme as what the other end of the snake is connected to .&nbsp; With an &quot;unknown&quot; DMX line we don&#039;t really know what and where our FOH shares ground with.</blockquote>

[QUOTE="kristianjohnsen, post: 51944, member: 441"] Re: Fog machine remote controll, using a snake channel ? Hello. I have done it many times with no ill effects, but have had issues on a few rare occations where a high-pitched whine was audible in just about every mic input. I have found that the likelyhood of having issues seems greatest with snakes where all pin1's are connected to each other. Generally, dimmer noise is a much bigger issue. I do have the following observation to contribute: One big issue with running an "unknown" DMX line through the audio snake is that we soundfolks usually take great care in making sure that FOH is on the same circuit or gounding scheme as what the other end of the snake is connected to . With an "unknown" DMX line we don't really know what and where our FOH shares ground with. [/QUOTE]

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