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Junior Varsity
Foh eq questions.
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<blockquote data-quote="Eric Cagle" data-source="post: 47924" data-attributes="member: 277"><p>Re: Foh eq questions.</p><p></p><p></p><p></p><p>Hmmm, I have never experienced that but I do vaguely remember thinking the Q seemed to be a little more broad and less defined compared to the KT. It has been a couple of years since I have personally used an Ashly but I will pull one out tonight and see if I can make that happen. Mine are the older blue ones. For what it is worth I usually use the +or- 6db setting on monitors and always at FOH. I will toggle back and forth and see if that makes a difference as well. I have had active powered wedges (pretty flat) and really high gain before feedback mics on vocals for the last several years so it still might not happen.</p><p></p><p>Also I worked for a company in the 90's that had a 3102 Ashly with pin 3 hot if I am not mistaken. I don't know if that would make any difference but maybe. When I first used a Klark DN 360 at FOH it was enough of a difference to make me switch favorites. It just seemed cleaner and maybe richer or more solid sounding when I slid a fader for lack of a more scientific term or observation. I would love to try the upper line BSS unit but I doubt that will happen since I am phasing in the digital consoles and speaker processing more and more now that they actually sound good.</p></blockquote><p></p>
[QUOTE="Eric Cagle, post: 47924, member: 277"] Re: Foh eq questions. Hmmm, I have never experienced that but I do vaguely remember thinking the Q seemed to be a little more broad and less defined compared to the KT. It has been a couple of years since I have personally used an Ashly but I will pull one out tonight and see if I can make that happen. Mine are the older blue ones. For what it is worth I usually use the +or- 6db setting on monitors and always at FOH. I will toggle back and forth and see if that makes a difference as well. I have had active powered wedges (pretty flat) and really high gain before feedback mics on vocals for the last several years so it still might not happen. Also I worked for a company in the 90's that had a 3102 Ashly with pin 3 hot if I am not mistaken. I don't know if that would make any difference but maybe. When I first used a Klark DN 360 at FOH it was enough of a difference to make me switch favorites. It just seemed cleaner and maybe richer or more solid sounding when I slid a fader for lack of a more scientific term or observation. I would love to try the upper line BSS unit but I doubt that will happen since I am phasing in the digital consoles and speaker processing more and more now that they actually sound good. [/QUOTE]
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