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Junior Varsity
Foh eq questions.
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<blockquote data-quote="harrybrilljr" data-source="post: 48164" data-attributes="member: 103"><p>Re: Foh eq questions.</p><p></p><p></p><p></p><p>I'm talking about the old GREY GQX 1/3rd octave. I think it was GQX3102. Always used the deepest cut setting for ringing things out. I used them in the early 90s loved the look and feel and didn't really have a lot of experience with other EQs to realize how bad they really were. Around 2004 I took a house gig locally part time and they had racks and racks of them (multiple rooms) also they end up on shows now and then when the gear is coming from a less than steller national AV provider. In each and every case I have used them on monitors or for ringing out LAVS and PODIUM mics, I have had this issue.</p><p></p><p>Kemper, I recall the Ashly was about half the price or less than the KT back in the mid 90s. There ought to be a difference at that price. DOD, ART, etc aren't even in the running. It's silly to even mention them. Please.</p><p>At this point I'd rather have a digital console with everything except the system DSP inside. I use GEQ because the filters are wide enough to continue working after the atmospheric conditions change, but narrow enough not to be more destructive than necessary. If I need to fix something quick and dirty I don't want to be hunting for it. I want to grab it and yank it NOW.</p><p></p><p>I can't even imagine buying an analog outboard EQ at this point. If I were going to buy a rack of analog EQs, I'd buy them inside an LS9 and set it next to my console and operate the EQs with stage mix on the iPad! LOL.</p></blockquote><p></p>
[QUOTE="harrybrilljr, post: 48164, member: 103"] Re: Foh eq questions. I'm talking about the old GREY GQX 1/3rd octave. I think it was GQX3102. Always used the deepest cut setting for ringing things out. I used them in the early 90s loved the look and feel and didn't really have a lot of experience with other EQs to realize how bad they really were. Around 2004 I took a house gig locally part time and they had racks and racks of them (multiple rooms) also they end up on shows now and then when the gear is coming from a less than steller national AV provider. In each and every case I have used them on monitors or for ringing out LAVS and PODIUM mics, I have had this issue. Kemper, I recall the Ashly was about half the price or less than the KT back in the mid 90s. There ought to be a difference at that price. DOD, ART, etc aren't even in the running. It's silly to even mention them. Please. At this point I'd rather have a digital console with everything except the system DSP inside. I use GEQ because the filters are wide enough to continue working after the atmospheric conditions change, but narrow enough not to be more destructive than necessary. If I need to fix something quick and dirty I don't want to be hunting for it. I want to grab it and yank it NOW. I can't even imagine buying an analog outboard EQ at this point. If I were going to buy a rack of analog EQs, I'd buy them inside an LS9 and set it next to my console and operate the EQs with stage mix on the iPad! LOL. [/QUOTE]
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