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Frequency Response/Contour EQ in full range systems.
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<blockquote data-quote="Kevin Maxwell" data-source="post: 35404" data-attributes="member: 321"><p>Re: Frequency Response/Contour EQ in full range systems.</p><p></p><p>I try to tune the sound system I am using for linearity. What goes in is what comes out. However when I do this I always add an inserted EQ on the vocal sub group or groups. For these vocal subs I group like mics together. I then EQ for the best gain before feedback. Usually by routing one of those vocal mics to my measurement system and using that as my measurement mic for the inserted EQ (while playing pink noise thru the mains only routed thru that EQ) and I tweak (cut) the frequencies that are shown to be accentuated with this form of measurement. I find I usually still have to make some cuts on the inserted EQ in the 200hz range. I find my method gives me the linearity that I need for miced instruments and playback and the best sound for the vocal mics. YMMV</p></blockquote><p></p>
[QUOTE="Kevin Maxwell, post: 35404, member: 321"] Re: Frequency Response/Contour EQ in full range systems. I try to tune the sound system I am using for linearity. What goes in is what comes out. However when I do this I always add an inserted EQ on the vocal sub group or groups. For these vocal subs I group like mics together. I then EQ for the best gain before feedback. Usually by routing one of those vocal mics to my measurement system and using that as my measurement mic for the inserted EQ (while playing pink noise thru the mains only routed thru that EQ) and I tweak (cut) the frequencies that are shown to be accentuated with this form of measurement. I find I usually still have to make some cuts on the inserted EQ in the 200hz range. I find my method gives me the linearity that I need for miced instruments and playback and the best sound for the vocal mics. YMMV [/QUOTE]
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