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Frequency Response/Contour EQ in full range systems.
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<blockquote data-quote="Art Welter" data-source="post: 35516" data-attributes="member: 52"><p>Re: Frequency Response/Contour EQ in full range systems.</p><p></p><p></p><p>Phil,</p><p></p><p>Regarding the "natural spectral shape of music content", a girl with guitar, a classical orchestra, or a brass band will have a different spectral shape than Brandon's pop music, and Motorhead's music will look more like pink noise than any of the above ;^).</p><p></p><p>How does your tuning approach, dsp configuration, and the end result, differ "noticeably" from Ivan's?</p><p>I have heard some rather "noticeable" speaker changes over time, are you sure the system was still performing (and set) the same as when installed and tuned ?</p><p></p><p>Some would call a difference of 1 to 3 dB "noticeably different", others have to be hit with a 10 dB hammer before hearing a difference.</p><p></p><p>Do you have any before and after magnitude response pictures you could share to help quantify the "difference in end results"?</p><p></p><p>Art</p></blockquote><p></p>
[QUOTE="Art Welter, post: 35516, member: 52"] Re: Frequency Response/Contour EQ in full range systems. Phil, Regarding the "natural spectral shape of music content", a girl with guitar, a classical orchestra, or a brass band will have a different spectral shape than Brandon's pop music, and Motorhead's music will look more like pink noise than any of the above ;^). How does your tuning approach, dsp configuration, and the end result, differ "noticeably" from Ivan's? I have heard some rather "noticeable" speaker changes over time, are you sure the system was still performing (and set) the same as when installed and tuned ? Some would call a difference of 1 to 3 dB "noticeably different", others have to be hit with a 10 dB hammer before hearing a difference. Do you have any before and after magnitude response pictures you could share to help quantify the "difference in end results"? Art [/QUOTE]
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