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Help a club pick a console to replace an aging Crest VX.
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<blockquote data-quote="Jason Misterka" data-source="post: 81743" data-attributes="member: 428"><p>Re: Help a club pick a console to replace an aging Crest VX.</p><p></p><p></p><p></p><p></p><p>+1</p><p></p><p>When we first bought an LS9, I couldn't make it sound good the first two or three times I used it. (I thought our M7 sounded fine, we owned two of those for a few years already.)</p><p></p><p>Somehow, it started sounding good after I got used to using it. </p><p></p><p>Some may say I started accepting bad sound, but I don't think so. I think I started learning where to turn the knobs to make it sound like I wanted it. It takes a few gigs to get there on any desk, maybe a few more than normal on the LS9. Nothing sounds good if you are uncomfortable.</p><p></p><p>Dick, honest question, not being snarky (if that's how you spell it,) but have you spent any real time on one?</p><p></p><p>I understand entirely why a touring engineer would not want one for certain situations,<em> especially if they haven't spent time on them.</em></p><p></p><p>But a lot of the younger guys we run into now have used them a bunch of times in clubs, etc, and are plenty savvy mixing on one.</p><p></p><p>Anyway, dead topic, meet your horse whip. I got a Pro 1 to sell now, and it has a huge screen <img src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" class="smilie smilie--sprite smilie--sprite1" alt=":)" title="Smile :)" loading="lazy" data-shortname=":)" /></p><p></p><p>Jason</p></blockquote><p></p>
[QUOTE="Jason Misterka, post: 81743, member: 428"] Re: Help a club pick a console to replace an aging Crest VX. +1 When we first bought an LS9, I couldn't make it sound good the first two or three times I used it. (I thought our M7 sounded fine, we owned two of those for a few years already.) Somehow, it started sounding good after I got used to using it. Some may say I started accepting bad sound, but I don't think so. I think I started learning where to turn the knobs to make it sound like I wanted it. It takes a few gigs to get there on any desk, maybe a few more than normal on the LS9. Nothing sounds good if you are uncomfortable. Dick, honest question, not being snarky (if that's how you spell it,) but have you spent any real time on one? I understand entirely why a touring engineer would not want one for certain situations,[I] especially if they haven't spent time on them.[/I] But a lot of the younger guys we run into now have used them a bunch of times in clubs, etc, and are plenty savvy mixing on one. Anyway, dead topic, meet your horse whip. I got a Pro 1 to sell now, and it has a huge screen :) Jason [/QUOTE]
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