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Re: How NOT to hold a large number of open microphones backstageI think we have talked in the past and I know you designed an automixer or was it auto mixing capabilities into a mixer for Peavey. So I know you know what you are talking about. I was on the auto mixing for live sound panel with Dan at AES in NYC 2009. I talked to Dan the night before at dinner about the music issue. He had an automixer that had a music setting and it required a separate mic on stage (ambient) for it to work. To the best of my knowledge none of his newer models have music handling capabilities.I have also never seen the advantages of trying to use an automixer for music but I just like to warn people so they don’t miss use it and then think that automixers don’t work.
Re: How NOT to hold a large number of open microphones backstage
I think we have talked in the past and I know you designed an automixer or was it auto mixing capabilities into a mixer for Peavey. So I know you know what you are talking about.
I was on the auto mixing for live sound panel with Dan at AES in NYC 2009. I talked to Dan the night before at dinner about the music issue. He had an automixer that had a music setting and it required a separate mic on stage (ambient) for it to work. To the best of my knowledge none of his newer models have music handling capabilities.
I have also never seen the advantages of trying to use an automixer for music but I just like to warn people so they don’t miss use it and then think that automixers don’t work.
