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<blockquote data-quote="Tim McCulloch" data-source="post: 147279" data-attributes="member: 67">Re: How To Do A Virtual SoundcheckBrian, I have watched Scovi do something really cool.&nbsp; Seems indulgent but it&#039;s a great learning opportunity.&nbsp; Since he&#039;s tracking his band in Pro Tools he has a virtual sound check source every day, but he went another step - he has DIs inserted at different points in the instrument (gtrs, bass, keys) signal chains, and then has ReAmp boxes as well.&nbsp; He can play the performer&#039;s dry signal back into the processing chain and amplifier on stage.&nbsp; For drums, he sent a stem mix to the Really Big Drum Fill.&nbsp; When done with any wedge or side fill monitors it makes for a fairly realistic approximation of having the band on stage.&nbsp; Lots of channels going both directions.Recreate the cacophony on stage and look at the various arrival times at high gain open mics (the star vocal, for instance) with Smaart...</blockquote>

[QUOTE="Tim McCulloch, post: 147279, member: 67"] Re: How To Do A Virtual Soundcheck Brian, I have watched Scovi do something really cool. Seems indulgent but it's a great learning opportunity. Since he's tracking his band in Pro Tools he has a virtual sound check source every day, but he went another step - he has DIs inserted at different points in the instrument (gtrs, bass, keys) signal chains, and then has ReAmp boxes as well. He can play the performer's dry signal back into the processing chain and amplifier on stage. For drums, he sent a stem mix to the Really Big Drum Fill. When done with any wedge or side fill monitors it makes for a fairly realistic approximation of having the band on stage. Lots of channels going both directions. Recreate the cacophony on stage and look at the various arrival times at high gain open mics (the star vocal, for instance) with Smaart... [/QUOTE]

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