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How to handle monitors combing when in pairs.
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<blockquote data-quote="kristianjohnsen" data-source="post: 57703" data-attributes="member: 441"><p>Re: How to handle monitors combing when in pairs.</p><p></p><p></p><p></p><p>A lot of singers nee to "lean into" the mic to have the right vocal technique. To get them on-axis with the mix the mic needs to be tilted up pretty severely. </p><p></p><p>If the mic is supercardioid the most efficient way to get the monitor(s) in the "null(s)" of the mic is the typical one monitor to either side-technique. </p><p></p><p>If the singers are fine with having the mic horizontal and can keep it that way for a whole show, putting the monitor right behind the stand, perhaps a few feet away from the base of the stand, will put the monitor right in the "null" of a supercardioid.</p></blockquote><p></p>
[QUOTE="kristianjohnsen, post: 57703, member: 441"] Re: How to handle monitors combing when in pairs. A lot of singers nee to "lean into" the mic to have the right vocal technique. To get them on-axis with the mix the mic needs to be tilted up pretty severely. If the mic is supercardioid the most efficient way to get the monitor(s) in the "null(s)" of the mic is the typical one monitor to either side-technique. If the singers are fine with having the mic horizontal and can keep it that way for a whole show, putting the monitor right behind the stand, perhaps a few feet away from the base of the stand, will put the monitor right in the "null" of a supercardioid. [/QUOTE]
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